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Tim Kruger, Gay Adult Film Actor and Entrepreneur, Dies at 44

Josh Azevedo
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Tim Kruger, Gay Adult Film Actor and Entrepreneur, Dies at 44

Tim Kruger, the gay pornographic actor and entrepreneur known legally as Marcel Bonn, has died at the age of 44. The news was confirmed by his partner in a heartfelt post shared on social media and on the adult film website TimTales, which Kruger founded in 2009.

In the post, Kruger’s partner described him as a “sweet, caring” individual and expressed deep sorrow over his death, which was reportedly the result of a “tragic accident” at his home. Kruger, who was born in Dusseldorf, Germany, was a well-known figure in the gay adult film industry.

“It is with the heaviest of hearts that I have to share the news of the passing of our beloved Marcel, the man you all knew and loved as Tim Kruger,” the post began.

Photo: X/@timtales_com

The partner described Kruger as not only a cherished public figure but also a lifelong companion. “To the public, he was the ultimate ginger pornstar; to me, he was a sweet, caring partner of over 20 years. He was also my best friend. He touched the lives of everyone who had the privilege of knowing him,” the post read.

Kruger’s death has sparked a wave of tributes from fans and industry colleagues, with many remembering him for his contributions to the adult entertainment world and his kindness off-camera.

The post also sought to address speculation surrounding Kruger’s death, noting that there were no drugs involved, nor any signs of foul play. “I am very aware of the stigma that surrounds deaths in the porn industry, so let me make this very clear to hopefully cut down on the inevitable speculation: Tim’s death was a tragic, yet simple accident at home. There were no drugs involved, nor was there any indication of foul play or suicide,” the statement clarified.

The message went on to reflect on Kruger’s legacy, noting that while his partner’s heart was broken, they found comfort in the memories Kruger had left behind. “Though my heart is broken into pieces, I find solace in the countless memories he gifted us. And I know that he died knowing he was loved. Tim’s legacy of compassion, love, and joy will live on in all who knew him,” the post continued.

Although the statement was not signed by a named individual, the mention of the long-term partnership suggests it was authored by Kruger’s partner, Grobes Geraet. The post concluded by requesting privacy for Kruger’s family and loved ones during this difficult time, and it added that no further details would be shared for now.

Kruger’s death has left a significant mark on the gay adult entertainment industry, where he was highly regarded not only as a performer but also as a director and producer. TimTales, the adult site Kruger founded, became one of the largest and most influential gay porn platforms in the world.

Over the course of his career, Kruger became a beloved figure among fans, celebrated for his work and for his authenticity. His tragic passing marks the end of an era in the industry, where he is remembered for his contributions both in front of and behind the camera.

Fans and industry figures alike are mourning the loss of Tim Kruger, remembering him for the joy, love, and compassion he shared with those who knew him.

Should Jacques Audiard Face Backlash for Not Speaking on Trans Issues at the Oscars Despite ‘Emilia Pérez’ Trans-Centered Plot?

Andy Lalwani
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Should Jacques Audiard Face Backlash for Not Speaking on Trans Issues at the Oscars Despite ‘Emilia Pérez’ Trans-Centered Plot?

Director Jacques Audiard has sparked controversy following his acceptance of an Oscar for Emilia Pérez, after claiming he didn’t speak about trans issues during his speech because he “didn’t win” Best Director or Best Film. The remark has drawn sharp criticism, with many questioning his commitment to the film’s central message about the transgender community.

On Sunday, March 2, Audiard and the Emilia Pérez team took to the stage at the 97th Academy Awards to accept the Oscar for Best Original Song for the film. While his collaborators, Clément Ducol and Camille, took the opportunity to speak, Audiard remained mostly silent during the ceremony. When he was later approached by reporters in the press room, Audiard explained that he had refrained from addressing the transgender community during his acceptance speech, stating, “Since I didn’t win Best Film or Best Director, I didn’t have the opportunity to speak. But had I had that opportunity, I would have spoken up,” before laughing and stepping away from the microphone.

This response has left many disappointed, especially given the film’s plot, which centers on a transgender Mexican cartel leader, Emilia Pérez. The film touches on themes of gender identity, transition, and the challenges faced by transgender individuals, making the absence of any mention of trans rights at the Oscars especially glaring.

Emilia Pérez, a Spanish-language French musical, has already been a subject of controversy since its release. The movie tells the story of Emilia, played by Karla Sofía Gascón, who transitions with the help of a lawyer and ultimately becomes a powerful cartel leader. While the film has received critical acclaim in some circles, it has also faced backlash for its portrayal of trans issues and for what many consider an insensitive treatment of Mexican culture. Audiard’s admission that he didn’t do thorough research into Mexico before making the film only added fuel to the fire.

One particularly controversial aspect of the film was a musical scene where Zoe Saldaña’s character, Rita, sings about gender-affirming surgery. The moment, considered tone-deaf by many, quickly went viral on social media, furthering criticisms of the film’s handling of sensitive topics.

Moreover, Gascón, the film’s lead actress and the first openly transgender person nominated for an Oscar, faced her own scandal. In recent weeks, it was revealed that Gascón had posted a series of problematic tweets between 2020 and 2023, including anti-Muslim sentiments, controversial remarks about the Oscars’ diversity efforts, and offensive comments regarding George Floyd and the Black Lives Matter movement. This controversy ultimately tarnished her chances of winning the Best Actress award, despite her being seen as a favorite in the category.

Despite these setbacks, Emilia Pérez took home two major Oscars at the ceremony: Best Supporting Actress for Zoe Saldaña and Best Original Song. However, many observers were disappointed by the lack of acknowledgment for the transgender community during the speeches, especially considering the film’s thematic focus on trans issues.

The silence on trans rights was felt particularly acutely when Audiard, Ducol, and Camille accepted the award for Best Original Song. While the collaborators expressed gratitude, none mentioned the trans community, despite the fact that Emilia Pérez centers on the experiences of a transgender character. Audiard’s explanation in the press room, that he didn’t win and thus didn’t have the chance to speak, seemed to ignore the opportunity he had just been given to address the ongoing struggles of the trans community, particularly in light of the escalating attacks on transgender rights in various parts of the world.

Social media users were quick to react to Audiard’s comment. One user pointed out, “Yeah, that’s not what you do when you actually care.” Another tweet expressed frustration: “Oh right, because trans rights are only important enough to speak on when you win an award. Literally get fucked.”

Others were equally vocal in their disappointment: “Emilia Pérez walked away with two Oscars, a new meme, and literally no mention of trans lives.” Another observed, “None of the Emilia Pérez winners or team mentioned the trans community at the Oscars, which is wild.”

In stark contrast, the team behind Anora, a film about a young sex worker from Brooklyn, won widespread praise for repeatedly acknowledging the sex worker community during their acceptance speeches. The independent movie about the challenges of a young woman marrying the son of an oligarch earned several major wins, including Best Picture, Best Original Screenplay, Best Director, and Best Actress. Throughout the night, the filmmakers and actors of Anora made a point of highlighting marginalized communities, which resonated strongly with audiences.

The lack of a statement on trans rights by the Emilia Pérez team, especially given the film’s premise, has left many to question whether the filmmakers were truly committed to the causes they claimed to represent. Critics argue that Audiard’s dismissal of the opportunity to speak on such a crucial issue only underscores the film’s superficial engagement with transgender issues.

The Oscars, as one of the most-watched events in the entertainment industry, often serve as a platform for filmmakers to make a statement about social and political issues. The absence of such a statement from Audiard and the Emilia Pérez team has sparked frustration among those who had hoped the film’s success would be an opportunity to amplify the voices of the trans community, particularly during a time when transgender rights are under increasing attack in many parts of the world.

As the conversation around Emilia Pérez continues to evolve, it remains to be seen how the film will be remembered. While it certainly made an impact at the Academy Awards, the controversy surrounding its portrayal of trans issues and the filmmakers’ failure to use their platform to speak up for the trans community could overshadow its Oscar wins.

For now, Audiard’s silence on trans rights at the Oscars remains a point of contention, with many questioning whether the director truly understands the weight of the story he helped bring to the big screen.

Paul Tazewell Makes History at the 97th Academy Awards as The First Black Man to Win Best Costume Design for ‘Wicked’

Andy Lalwani
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Paul Tazewell Makes History at the 97th Academy Awards as The First Black Man to Win Best Costume Design for ‘Wicked’

Paul Tazewell has made history at the 2025 Academy Awards, becoming the first Black man to win the Oscar for Best Costume Design. Tazewell earned the prestigious honor for his work on Wicked, the highly anticipated film adaptation of the beloved Broadway musical. The award, presented during the 97th annual Academy Awards on March 2, marks a significant milestone in Tazewell’s career and in the history of the Oscars.

“This is absolutely astounding. Thank you, Academy, for this very significant honor,” Tazewell, 60, said in his acceptance speech. “I’m the first Black man to receive the costume design award for my work on Wicked. I’m so proud of this.”

Tazewell’s win comes just a few years after Ruth E. Carter made history as the first Black person to win the Oscar for Best Costume Design. Carter received the award for her groundbreaking work on Black Panther (2018) and later took home the trophy again for Black Panther: Wakanda Forever (2022). Tazewell’s victory signals a continued shift toward greater diversity in Hollywood, following in the footsteps of Carter’s groundbreaking achievements.

This year, Tazewell faced stiff competition in the Best Costume Design category, with other nominees including Arianne Phillips (A Complete Unknown), Janty Yates and David Crossman (Gladiator II), Lisy Christl (Conclave), and Linda Muir (Nosferatu). Despite the strong field, Tazewell’s visionary work on Wicked earned him the win, underscoring his mastery in bringing larger-than-life characters to the screen through wardrobe design.

Wicked, directed by Jon M. Chu, is one of the most highly anticipated films in recent years. Tazewell’s costumes are a central element of the film’s visual storytelling, from the iconic green of Elphaba’s (played by Cynthia Erivo) ensemble to the sparkling pinks and blues of Glinda’s (Ariana Grande) outfits. Tazewell’s work is said to involve over 1,000 costume pieces, not only for Wicked but also for its sequel, Wicked: Part Two, which is currently in production. The film’s costumes have already garnered significant attention for their intricate design and their ability to reflect the personalities and journeys of the characters.

Tazewell’s success at the Oscars is not his first major recognition. His work on Wicked has already earned him multiple accolades, including wins at the Critics Choice Awards, the Costume Designers Guild Awards, and the British Academy Film Awards (BAFTAs). These honors have further cemented his status as one of the leading figures in costume design.

Speaking with KABC earlier in February, Tazewell reflected on the significance of his work being recognized by such esteemed institutions. “It means everything,” he said. “To have that acknowledgment, to have that approval by so many greats in our industry, it just means the world.”

Tazewell’s career has spanned several decades and includes notable work on films like Harriet (2019) and Steven Spielberg’s West Side Story (2021). His costumes in Wicked and beyond showcase his ability to blend artistry with storytelling, using fabric and design to convey complex emotions and themes.

“I want to touch hearts, I want to change lives, I want to make a difference,” Tazewell told KABC. “And my power, my medium in doing that, is costume design. I’m passionate about it.” His passion for his craft and his belief in its ability to shape the way audiences engage with a story has driven his success in the field.

Tazewell’s nomination for Best Costume Design at the Oscars came as part of a significant year for Wicked, which earned a total of 10 nominations across multiple categories. These included Best Picture, Best Actress for Cynthia Erivo, and Best Supporting Actress for Ariana Grande. Tazewell’s win further solidifies the film’s position as a major contender this award season.

In a celebratory Instagram post after his BAFTA win, Tazewell expressed his “immense gratitude” for his Wicked team and collaborators. “My deepest thanks also to Jon M. Chu and Marc Platt for turning these cinematic dreams into reality. Thank you for welcoming me into the Wicked family,” Tazewell wrote. He also extended his appreciation to audiences who have embraced the intricate details of the film’s costumes. “Your recognition makes this journey even more rewarding,” he added.

The Oscar win for Tazewell is not only a personal triumph but also a moment of representation for the Black community in Hollywood. His achievement adds to a growing list of Black creatives making history at the Academy Awards, further contributing to the ongoing conversation about diversity and inclusion in the entertainment industry.

As Tazewell continues to push the boundaries of costume design, his work on Wicked remains a testament to his dedication to his craft. Whether through the iconic costumes of Glinda and Elphaba or the hundreds of other characters that populate the film, Tazewell’s designs have left an indelible mark on the cinematic landscape. His Oscar win is just one more chapter in a career that has already redefined what it means to use fashion as a tool for storytelling.

Fans and industry peers alike are sure to be watching closely as Tazewell continues to make his mark on Hollywood, with his upcoming work in Wicked: Part Two sure to be as groundbreaking as his Oscar-winning costumes in the first film.

Karla Sofía Gascón Appears to Skip Oscars Red Carpet as Tweet Controversy is Mocked During Opening Monologue

Andy Lalwani
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Karla Sofía Gascón Appears to Skip Oscars Red Carpet as Tweet Controversy is Mocked During Opening Monologue

Karla Sofía Gascón, star of Emilia Pérez, made her debut as an Oscar nominee at the 2025 Academy Awards but seemed to avoid the spotlight after controversy surrounding offensive, resurfaced tweets. Gascón, the first openly trans woman to be nominated for Best Actress, skipped the red carpet, opting for a low profile ahead of the ceremony.

The actress, who earned a nomination for her role as the titular character in Emilia Pérez, did not appear at the previous major award shows, including the SAG Awards, Critics Choice Awards, and the AFI Awards luncheon in early February. The absence fueled speculation about her status amidst the controversy.

Sources told The Hollywood Reporter that Netflix, the studio behind Emilia Pérez, covered Gascón’s travel costs to the ceremony, as is customary for studios supporting their Oscar nominees.

Gascón Reflects on Her Journey
Despite the absence from the red carpet, Gascón did make an appearance inside the Dolby Theatre. When it was confirmed that she would attend the Oscars, the actress told THR exclusively, “I’m not sure how I feel, but I’m grateful to be back. I’m grateful to all those who’ve believed in me—Netflix, the production company, and my colleagues. We can close this beautiful and difficult path that began three years ago.”

Gascón was spotted near her Emilia Pérez co-star, Selena Gomez, inside the theater. Although she didn’t engage with the press, Gascón was acknowledged during the show. Host Conan O’Brien made a lighthearted comment during his opening monologue, referencing the controversy.

“I love Anora—Anora uses the f-word 479 times. That’s three more than the record set by Karla Sofía Gascón’s publicist,” O’Brien joked, adding, “Karla Sofía Gascón is here tonight. Karla, if you are going to tweet about the Oscars, remember: My name is Jimmy Kimmel.”

While the remark was playful, it underscored the ongoing attention surrounding Gascón, even as she remained distant from direct interactions with the media.

César Awards Appearance and Public Reaction
Before the Oscars, Gascón made her first red carpet appearance since the controversy at the César Awards in France. However, she notably did not speak to the press during her time there. The actress, who has been a standout during awards season, had previously received numerous nominations and praise for her performance in Emilia Pérez, a film that leads this year’s Oscar race with 13 nominations.

Yet, Gascón’s path to the Oscars became complicated after old tweets resurfaced, which included racially charged remarks that many considered antisemitic and xenophobic. The tweets quickly sparked outrage, and Gascón was widely criticized for her past behavior.

In response, Gascón publicly apologized for the offensive comments and sat down for an hour-long interview with CNN en Español, where she defended herself. However, the actress eventually decided to step back from the film’s Oscar campaign, expressing her desire not to be a distraction. She stated that she wanted the film to be recognized for its merit, calling it a “beautiful ode to love and difference.”

The controversy surrounding Gascón has dominated the conversation surrounding Emilia Pérez, but the film’s director, Jacques Audiard, along with her co-stars Zoe Saldaña and Selena Gomez, have each addressed the issue in separate statements.

Director and Co-Stars Speak Out
Audiard, in an interview with Deadline Hollywood, expressed his frustration with Gascón’s actions, saying, “I haven’t spoken to her, and I don’t want to.” He added, “She is in a self-destructive approach that I can’t interfere in, and I really don’t understand why she’s continuing. Why is she harming herself? Why? I don’t understand it, and what I don’t understand about this, too, is why she’s harming people who were very close to her.”

Saldaña also weighed in, expressing sadness over the controversy. “It makes me really sad because I don’t support [it], and I don’t have any tolerance for any negative rhetoric towards people of any group,” Saldaña said. “I can only attest to the experience that I had with each and every individual that was a part, that is a part, of this film, and my experience and my interactions with them was about inclusivity and collaboration and racial, cultural, and gender equity. And it just saddens me.”

Gomez, who stars alongside Gascón in Emilia Pérez, shared a more nuanced perspective. She said that following the scandal, “Some of the magic has disappeared,” but added, “I want to continue to be proud of what I’ve done” and emphasized that she remains “grateful and live with no regrets.”

Emilia Pérez Leads the Nominations
As the night of the Oscars unfolded, Emilia Pérez dominated the nominations with 13 nods, setting a new record for a non-English-language film. While Gascón’s nomination brought attention to her acting talent, it was clear that the controversy had overshadowed much of the film’s success.

Despite the challenges, Emilia Pérez was still in the spotlight, with the film’s director and cast hoping that the work itself would be the focus on what was otherwise a historic night for the Academy Awards.

The 97th Academy Awards, hosted by Conan O’Brien, aired live coast-to-coast on Sunday, March 2, from the Dolby Theatre at Ovation Hollywood on ABC and Hulu.The road ahead for Gascón remains uncertain as the controversy continues to cast a shadow over her Oscar campaign. While the actress has stepped back from the campaign to allow the focus to return to the film, it’s clear that the conversation surrounding her will continue to be part of the larger narrative of the 2025 Oscars. As Emilia Pérez garners attention for its achievements, Gascón’s future in Hollywood remains to be seen.

Maryland Couple Becomes Inspiration in New Short Film ‘The Aunties’

Josh Azevedo
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Maryland Couple Becomes Inspiration in New Short Film ‘The Aunties’

Paulette Green and Donna Dear, a married couple living on a 111-acre farm in Maryland, have become the subjects of a new short film that highlights their enduring love and commitment to their land and community. In 1994, the couple purchased Mt. Pleasant Acres Farms, located between the Chesapeake Bay and the Atlantic Ocean. The farm is believed to have been a stop on the Underground Railroad, and for the past 30 years, the couple has dedicated themselves to conservation and cultivating the land.

The film, The Aunties, created by married filmmakers Charlyn Griffith-Oro and Jeannine Kayembe-Oro, follows the couple’s inspiring journey as queer elders and mentors to younger generations. The filmmakers, who met Green and Dear in 2016, view them as role models and have developed a deep connection with them. Griffith-Oro described the couple’s relationship as one rooted in love and respect, rejecting both heteronormativity and systemic racism while embracing lifelong partnerships.

Kayembe-Oro emphasized the importance of seeing queer Black elders represented in media. “Everyone loves it because they’re like, ‘oh my gosh, I really needed these Black queer elders in my life to see,’” she told LGBTQ Nation. The filmmakers believe that The Aunties offers a rare and transformative blueprint for Black queer people, showing them the power of mentorship, love, and freedom from societal expectations.

The relationship between Griffith-Oro, Kayembe-Oro, and Green and Dear deepened during the early days of the COVID-19 pandemic. Newly married themselves, the filmmakers felt a stronger bond with the couple, which ultimately led to the idea for the short film. Griffith-Oro explained that The Aunties serves as a powerful reminder of the importance of intergenerational friendships and the strength that comes from embracing one’s elders.

Green and Dear’s connection to history is also a key theme of the film. Their farm is a living testament to Harriet Tubman’s legacy, with the couple naming their miniature poodle Araminta, after Tubman’s birth name, and their cat Rit, in honor of Tubman’s mother. However, beyond their historical ties, Green and Dear’s role as queer elders has been a source of inspiration for both the filmmakers and the broader queer community.

Greene, a native of The Bronx and Harlem, recalls a story from her past when she took her grandmother to a gay party. The experience was life-changing for her grandmother, who remarked, “If I had known that this life could be like this, you may not have ever made it.” Dear, who spent 27 years in the military, has her own transformative journey, with Greene jokingly saying that the military “turned her out” as she rose to the highest ranks during her service.

Now, after decades of commitment to their farm, Green and Dear show no signs of slowing down. Their dedication to both the land and their community has inspired Griffith-Oro and Kayembe-Oro to consider expanding The Aunties into a feature film. However, the filmmakers insist that the story must be told in a way that celebrates triumph, rather than focusing on the disenfranchisement often experienced by queer people in media.

“The Aunties” is now available for streaming on the Black Public Media YouTube channel, offering a powerful, uplifting narrative that celebrates love, resilience, and the importance of queer mentorship across generations.

Iowa Residents Protest Anti-Trans Bill at State Capitol as Governor Prepares to Sign

Josh Azevedo
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Iowa Residents Protest Anti-Trans Bill at State Capitol as Governor Prepares to Sign

Hundreds of Iowa residents gathered at the state Capitol Thursday, waving Pride flags in protest of a controversial bill that seeks to remove gender identity as a protected class under Iowa’s Civil Rights Act. The bill, which passed both the Iowa House and Senate, is now in the hands of Governor Kim Reynolds, who is expected to sign it into law, eliminating protections for transgender individuals in the state.

The Iowa House voted 60-36 in favor of Senate File 418, while Senate Republicans approved it 33-15, mostly along party lines. The bill would strip gender identity protections from the Civil Rights Act, which has been in place since 1965 and expanded in 2007 to include sexual orientation and gender identity. The new legislation also mandates that birth certificates reflect a person’s sex at birth, either male or female, and redefines “sex” as “the state of being either male or female as observed or clinically verified at birth.”

The protests erupted as lawmakers cast their votes, with the public gallery loudly booing and shouting “shame!” Some protesters even directed expletives at Republican lawmakers who supported the bill. Democratic lawmakers voiced strong opposition, warning that history would not look kindly on the decision. Only five Republicans voted against the bill.

Rep. Aime Wichtendahl, Iowa’s first openly transgender legislator, passionately condemned the bill, arguing that it would strip transgender people of their rights to employment, housing, and other basic protections. “The purpose of this bill is to further erase us from public life and to stigmatize our existence,” Wichtendahl said. “The sum total of every anti-trans and anti-LGBTQ bill is to make our existence illegal.”

On the other side, Republican Rep. Steven Holt defended the bill, claiming it would not affect the rights of transgender individuals. “Transgender Iowans will have the same rights and protections as everyone else, as they should,” Holt said, adding that the bill would prevent the “infringement on the rights of others, particularly women.” He also pointed to federal protections, like the Fair Housing Act and the U.S. Supreme Court’s 2020 Bostock decision, which extended protections to transgender people in employment and housing.

However, critics worry that these federal protections could be undermined by future legal challenges, including anti-trans executive orders signed by former President Donald Trump. Iowa House Minority Leader Jennifer Knofrst echoed these concerns, stating, “Do not tell me the federal government will save us because they’re already attacking the communities we’re attacking today as well.”

The proposed legislation has left many transgender Iowans fearful for their future in the state. One resident, speaking to the Des Moines Register, said they were considering leaving Iowa due to the bill’s passage. However, the outpouring of support at the Capitol gave some comfort, with several cisgender Iowans also attending the protest in solidarity with the transgender community.

Rachel Gulick, a longtime Iowa resident, shared their concerns about the broader implications of the bill. “It feels like I’m watching the murder of America by Americans,” Gulick said.

This is not the first time Iowa has proposed anti-trans legislation. In 2023, the state’s Republican-led legislature introduced a bill that would have allowed the bullying of transgender students by permitting the “deadnaming” of trans individuals in schools. Governor Reynolds and GOP lawmakers have also proposed numerous anti-LGBTQ+ bills, with 21 such bills tabled in 2023 alone.

As the bill heads to Governor Reynolds’ desk, the fight over transgender rights in Iowa continues, and many residents fear the state may soon be a more hostile environment for its transgender population.

Rebecca Black Embraces Her Queer Identity and Personal Growth with New Dance Pop Project ‘SALVATION’

Josh Azevedo
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Rebecca Black Embraces Her Queer Identity and Personal Growth with New Dance Pop Project ‘SALVATION’

Rebecca Black is no longer the 13-year-old who went viral with “Friday.” Now, at 27, the queer pop artist is confidently embracing her identity and celebrating her growth with the release of SALVATION, her first new music since 2023’s Let Her Burn. The seven-song dance-pop project marks a bold step forward for Black, showcasing her evolution both as an artist and an individual.

Black has long been a champion of queer pop, and she’s thrilled to see more queer artists like Chappell Roan, Billie Eilish, and Doechii reaching mainstream success. In an interview with Out Magazine, “I definitely have a gay superiority complex myself, so I’ve always known there was so much potential in these artists,” Black says. “It would be really depressing if you were only digestible to other gay people because gay people have digested so much hetero content over the years and found so much resonance within it.”

With SALVATION, Black aims to create the kind of party music any 27-year-old would dream of. The tracks are brash, cocky, fun, and full of energy—perfect for listeners looking for an escape in a world that can often feel joyless. Yet, there’s a maturity to the project as well, with introspective songs like “Salvation” and “Do You Even Think About Me” reflecting on Black’s personal journey.

 

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For Black, this project represents a new chapter in her career, one where she can unapologetically own who she is. “I actually felt like I knew so many people so well because of whatever imperfections they allowed me to see,” she shares. “I realized how little I was allowing everybody else to see [me]. So, really it’s just a matter of taking the leash off of myself… and allowing myself to act like a 27-year-old for the first time in my life.”

After years of dealing with public scrutiny over her body and sexuality, Black now fully embraces her identity. Early in her career, as a teenager, she was forced to navigate online body-shaming and unrealistic expectations. But now, with SALVATION, Black has found a new level of comfort in her body and sexuality. “Once I started doing it on my terms in a way that I felt really beautiful and in a way that was sometimes even outlandishly sexy or campy, that was where I started to find a comfortability in my body that I’d never had before,” she says. “That has become such a source of power for me.”

This newfound confidence shines through on tracks like “TRUST!” and “Sugar Water Cyanide,” which exude a sense of empowerment. Black’s journey to self-acceptance also informs the emotional depth of SALVATION, as she reflects on her past while looking toward the future.

Having spent over a decade in the music industry, Black is no longer constrained by other people’s expectations. She cherishes the opportunity to experiment with her music and lyrics, relishing the feeling of starting anew. “I really cherish the feeling of starting over, or learning again,” she says. “There’s a whole new book to this that I haven’t really come across yet.”

This new chapter is not just about the music, but about Black’s personal evolution. She’s no longer prioritizing others’ opinions over her own. “I’ve, for so long, felt so comfortable in prioritizing other people’s opinions of me above my own,” she admits. “This album really was me… starting to confront that and allow myself the freedom to fail and flail.”

Despite her transformation, Black isn’t ready to let go of the song that made her famous. When asked about whether she’ll retire “Friday” from her live shows, she teases, “This year I have plans for it that I think will be a little bit different from what people might expect.”

With SALVATION and her continued personal growth, Black is poised to leave her viral past behind and embrace a future that is unapologetically her own.

New Texas Bill Seeks to Eliminate All Gender-Affirming Care in the State

Andy Lalwani
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New Texas Bill Seeks to Eliminate All Gender-Affirming Care in the State

A newly introduced Texas House bill, HB3399, is drawing significant attention and controversy for its potential to end gender-affirming care for people of all ages in the state. Filed on February 26, 2025, the bill, often referred to locally as the “Texas trans ban,” aims to restrict access to hormone therapy, gender-reassignment surgeries, and other healthcare practices related to gender transition. If passed, it would mark a major step in a wider political movement challenging LGBTQ+ rights across the United States.

The bill, introduced by Republican Representative Brent Money, seeks to amend existing laws in Texas to further limit gender-affirming healthcare. Specifically, it targets hormone therapy, surgeries, and related treatments for individuals seeking to transition. The bill defines “transitioning” as efforts to alter what it terms a person’s “biological sex” based on sex organs, chromosomes, and endogenous profiles. This would directly affect medical practices involving gender dysphoria treatment, which many LGBTQ+ advocates consider essential to the health and well-being of transgender individuals.

Under HB3399, a range of surgeries would be completely banned, including vasectomies, hysterectomies, oophorectomies, metoidioplasties, orchiectomies, penectomies, phalloplasties, and vaginoplasties—all commonly performed procedures for those seeking gender-affirming care. The bill also targets healthcare professionals who prescribe hormone suppressants, such as estrogen, testosterone, or puberty blockers. These medications, often used as part of transition care, could lead to fines or even prison time for healthcare providers who continue to offer them to patients seeking gender affirmation.

The bill would impact individuals across all age groups, which marks a significant shift from the previous legislation that focused primarily on transgender youth. Since September 1, 2023, gender-affirming care for minors has already been banned in Texas, following the passage of a separate Senate bill that prohibited medical professionals from prescribing puberty blockers or hormone therapy to those under 18. However, HB3399 extends these limitations to include adults, effectively eliminating access to a broad spectrum of gender-affirming care for everyone in the state, not just minors.

Representative Brent Money, who introduced the bill, has been an outspoken critic of transgender rights. He has publicly aligned himself with Texas Governor Greg Abbott, particularly in his comments suggesting that transgender individuals should be barred from teaching in public schools. Money has also previously expressed his belief that gender is strictly a “biological binary” and has labeled those who challenge this view as “deluded or lying.” These remarks signal the broader cultural and political struggle over transgender rights in the state.

LGBTQ+ advocates are pushing back against the bill, seeing it as part of a broader attack on the rights of transgender individuals and the LGBTQ+ community. In recent years, the U.S. has witnessed a surge in state-level efforts to roll back protections for LGBTQ+ people, particularly those who are transgender or non-binary. According to the American Civil Liberties Union (ACLU), 456 anti-LGBTQ+ bills have been introduced in the first months of 2025 alone. This follows the trend of 533 bills introduced in 2024, with 49 of them passing into law, and 510 introduced in 2023, with 88 becoming law.

Texas has been at the forefront of these legislative efforts. In addition to HB3399, 59 anti-LGBTQ+ bills have been introduced in the state since the beginning of 2025. These bills aim to restrict transgender participation in school sports, limit diversity, equity, and inclusion (DEI) initiatives in public institutions, and prohibit educators from supporting or acknowledging a student’s gender transition. Many of these bills reflect a growing political climate that is hostile to LGBTQ+ rights, particularly those of transgender individuals.

In response to these legislative actions, LGBTQ+ advocacy organizations have called for a renewed commitment to defending the rights of transgender individuals. Human rights groups have expressed alarm over the growing number of laws that criminalize gender-affirming care, with some organizations turning to international bodies such as the United Nations to pressure the U.S. government to address what they view as human rights violations against the transgender community.

One of the most significant aspects of HB3399 is the potential impact on healthcare providers. The bill could lead to significant legal and professional consequences for doctors, nurses, and other medical practitioners who offer gender-affirming care. Many healthcare professionals argue that such measures would undermine medical ethics and patient autonomy, particularly for those seeking to access care that is considered essential for their mental and physical health.

The bill’s potential passage would likely spur a renewed debate about the role of government in regulating healthcare, particularly for transgender individuals. Supporters of the bill argue that it is necessary to protect children and young adults from what they describe as irreversible medical procedures. Opponents, however, contend that it is a direct attack on the rights of transgender people, particularly those who rely on gender-affirming treatments to live full and healthy lives.

As the political battle continues to intensify in Texas and other states, the future of gender-affirming care remains uncertain. Supporters of transgender rights are rallying together to oppose these bills, while lawmakers like Representative Money are pushing forward with their efforts to restrict access to gender-affirming healthcare. The outcome of this ongoing struggle could have far-reaching implications for the transgender community, particularly in Texas, a state that has become a focal point in the nationwide debate over LGBTQ+ rights.

In the coming weeks and months, all eyes will be on Texas as HB3399 and other similar bills make their way through the legislative process. The outcome could set a precedent for other states considering similar measures, and it will likely continue to be a key issue in the 2025 legislative sessions across the country.

Shoppers Launch 24-Hour Boycott to Protest Companies Rolling Back DEI Programs

Andy Lalwani
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Shoppers Launch 24-Hour Boycott to Protest Companies Rolling Back DEI Programs

Shoppers across the U.S. initiated a 24-hour boycott today, February 28, targeting companies that have scaled back or eliminated their diversity, equity, and inclusion (DEI) programs. The protest is part of a larger movement by consumers and activists responding to actions taken by former President Donald Trump to eliminate DEI initiatives at the federal level.

The boycott, which is set to last 24 hours, is the first of several planned protests aimed at companies that have reversed their commitment to DEI principles. Activists say the economic blackout is meant to send a strong political message, signaling that consumers will hold corporations accountable for abandoning social responsibility.

“This definitely sends a political message to these companies,” said Jason Williams, a professor of Justice Studies at Montclair State University in New Jersey. “We are watching them, and we’re not going to let them get away with abandoning our causes.”

The protest is being led by John Schwarz, also known as TheOneCalledJai on Instagram, who has rallied supporters to join the boycott. Schwarz, who claims the boycott is a direct response to “corporate greed,” is calling on consumers to stand up against companies prioritizing profit over social justice.

In one of several videos posted on social media, Schwarz emphasized the significance of the movement. “For decades, they have told us that we are powerless, that we have no control, and that this system is too big, too strong, too unshakable,” Schwarz said. “We are going to remind them who has the power. For one day, we turn it off. For one day, we shut it down. We remind them that this country does not belong to the elite; it belongs to the people, and this will work.”

The boycott primarily targets major retailers, including Target, Walmart, Best Buy, and McDonald’s. Protest organizers are also planning boycotts against other corporations, such as Amazon and Nestlé, in the coming months. Another national economic blackout is scheduled for April 18.

The February 28 boycott builds on a national protest against Target that began on February 1. That protest, launched by civil rights activists in Minneapolis, was sparked after the retailer rolled back its DEI initiatives. The boycott coincided with Black History Month, underscoring the frustration within communities of color over companies retreating from their social justice commitments.

Target’s reversal has drawn considerable backlash, particularly because the retailer had once been a leader in promoting DEI. In the wake of George Floyd’s death in 2020, Target emerged as a strong advocate for DEI efforts, positioning itself as an ally for racial justice. However, recent actions have led many to question the company’s commitment to those values.

Before Trump’s presidency, many companies had already begun scaling back their DEI programs in response to pressure from right-wing figures, including anti-DEI activist Robby Starbuck. Starbuck’s campaign has led to pushback against DEI initiatives at major corporations such as Walmart, Ford, Harley-Davidson, and Tractor Supply. As more companies face increased scrutiny over their DEI practices, activists are determined to hold them accountable.

Boycotts have historically been an effective tool for consumer activism. For example, Bud Light experienced significant financial losses following a boycott initiated by conservatives in protest of a marketing campaign featuring trans influencer Dylan Mulvaney. Now, with the pro-DEI boycott gaining momentum, activists hope to demonstrate that consumers can influence corporate behavior by voicing their support for diversity and inclusion.

While the February 28 boycott marks the beginning of a broader movement, it is clear that tensions surrounding corporate DEI practices are far from over. The increasing polarization over social justice issues in the corporate world is likely to continue fueling protests from both sides of the political spectrum.

As the debate over DEI intensifies, consumers are making it clear that they will not remain passive. Activists argue that by participating in boycotts, they can send a powerful message to corporations about the importance of standing firm on social justice commitments, regardless of political pressure.

More boycotts and protests are expected in the coming months as this issue continues to evolve, with many observers watching closely to see how companies will respond to the growing calls for accountability.

Paul Feig Donates $300,000 to LGBTQ+ Youth Advocacy Groups Amid Rising Anti-Trans Policies

Josh Azevedo
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Paul Feig Donates $300,000 to LGBTQ+ Youth Advocacy Groups Amid Rising Anti-Trans Policies

Paul Feig, the director of A Simple Favor and Bridesmaids, along with his wife Laurie, has donated $300,000 to three major LGBTQ+ youth advocacy organizations: The Trevor Project, Trans Lifeline, and It Gets Better. The donation comes at a time when the LGBTQ+ community, especially transgender individuals, is facing increasing threats to their rights and protections.

In an exclusive statement to Variety, Feig expressed his concern over recent attacks on the LGBTQ+ community, particularly transgender people. “In recent weeks we have witnessed the dismantling of crucial protections for the health and safety of the LGBTQ+ community and, particularly, the transgender community,” Feig said. “I can’t sit idly by and watch as my friends, colleagues and the LGBTQ+ community as a whole — our fellow citizens — are stripped of their rights.”

The donation follows reports that the Trump administration is enforcing policies that remove transgender troops from the U.S. military and has eliminated references to transgender people and gender-affirming care from official government websites and databases. LGBTQ+ rights organizations and activists have filed legal challenges to these policies.

The Trevor Project, one of the organizations benefiting from the donation, provides a suicide prevention hotline for LGBTQ+ youth, while Trans Lifeline offers emotional and financial support to transgender individuals in crisis. It Gets Better works to uplift and empower LGBTQ+ youth by amplifying stories of queer adults and providing resources for young people worldwide.

Myles Markham, Director of Development at Trans Lifeline, emphasized the significance of Feig’s donation, especially given the current climate. “In a year where anti-trans sentiment and federal marginalization is at an all-time high, support and generosity for our community from powerful storytellers like Paul couldn’t be more timely or valuable,” Markham said. “Contributions like this not only mean critical services will reach more folks in need, but they also send a message of hope and possibility.”

Kevin Wong, Senior Vice President of Marketing at The Trevor Project, highlighted the urgency of the donation. “Every 45 seconds, at least one LGBTQ+ young person in the U.S. attempts suicide. This gift will bolster our crisis counselors’ ability to support the increase in young people who are reaching out with fears about how the current barrage of negative political news will impact their lives,” Wong said.

It Gets Better’s Executive Director, Brian Wenke, also expressed gratitude, noting that Feig’s contribution would further their mission to support LGBTQ+ youth. “Paul’s storytelling has long resonated with our community, a reminder that representation isn’t just visibility — it’s power,” Wenke said. “With this support, we remain focused on building a world where LGBTQ+ young people feel seen, supported, and can recognize their own limitless potential.”

Feig’s recent contributions come as he prepares for the release of his latest film, Another Simple Favor, which will premiere at the South by Southwest (SXSW) festival in Austin on March 7. The film will be available for streaming on Amazon Prime Video starting May 1. Feig also has another project, The Housemaid, starring Sydney Sweeney and Amanda Seyfried, set for release during the holiday season.

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