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Jennifer Lopez Heats Up 2025 AMAs with Same-Sex Kisses on Stage Involving Multiple Dancers

Andy Lalwani
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Jennifer Lopez Heats Up 2025 AMAs with Same-Sex Kisses on Stage Involving Multiple Dancers

Jennifer Lopez delivered a sizzling, show-stopping opening performance at the 2025 American Music Awards on Monday night, reminding audiences why she remains one of pop culture’s most electrifying performers. The global superstar set the stage ablaze with a six-minute dance medley featuring 23 of the year’s hottest songs—and yes, a steamy make-out session with her backup dancers.

Returning as the AMAs host for the first time since 2015, Lopez made her grand entrance with a cinematic performance that transported viewers into a high-octane musical multiverse. Opening with a slowed-down rendition of her 2012 hit “Dance Again,” the Bronx-born icon eased audiences into what quickly became one of the most talked-about performances of the night.

A Tribute to the Year’s Biggest Bangers

The high-energy medley took fans on a whirlwind journey through 2025’s biggest chart-toppers. Lopez moved effortlessly across genres, dancing to Kendrick Lamar’s gritty “Squabble Up,” Doechii’s soul-stirring “Denial Is a River,” and the viral sensation “A Bar Song (Tipsy)” by Shaboozey. Her performance also included Bruno Mars and Rosé’s TikTok-fueled “APT,” which had the audience on their feet and fans across social media scrambling to recreate the choreography.

Midway through the set, Lopez turned up the heat with a sensual mash-up of Chappell Roan’s queer-pop anthems “Hot to Go!” and “Good Luck, Babe!”—both LGBTQ+ favorites that have dominated dance floors and gay bars all year long. Wearing a glittering, custom-designed catsuit, Lopez fanned herself dramatically while strutting across the stage, clearly in tune with Roan’s sultry, self-empowered lyrics.

She then paid tribute to musical icons Billie Eilish and Beyoncé with a nod to “Birds of a Feather” and the country-tinged “Texas Hold ’Em,” before closing the segment with a gravity-defying dance break set to Bad Bunny’s reggaeton club hit “NuevaYol.” The moment channeled “Dancing with the Stars” meets underground vogue ballroom—flips, dips, and high kicks included.

A Queer-Inclusive Kiss-Off

In one of the night’s most headline-making moments, Lopez leaned into her “nasty” side. As Teddy Swims’ hit ballad “Lose Control” played, Lopez shared passionate onstage kisses with multiple backup dancers of all genders, in a clear nod to inclusivity and self-expression. The kisses weren’t just for shock value—they emphasized the diversity of love, identity, and sensuality at the core of Lopez’s performance ethos.

Lopez then transitioned into Tinashe’s bold and unapologetic “Nasty,” grinding and gliding across the stage as pyrotechnics exploded behind her. The performance wrapped up with an explosive mash-up of Kendrick Lamar’s “Not Like Us” and the buzzy track “TV Off,” as the camera zoomed in on Lopez striking a triumphant pose, glowing under the lights.

A Legacy of Pop Performance Excellence

“I had to kick things off by turning it up to the biggest songs of the year and dancing my heart out for all of you,” Lopez told the star-studded crowd as the performance ended. “But tonight, the spotlight belongs to you, because this is the world’s largest fan-voted award show, where you decide the winners.”

Lopez added that the 2025 American Music Awards saw a record-breaking number of votes, underscoring the dedication of fans across the globe.

This year marks a full-circle moment for Lopez, who last hosted the AMAs a decade ago in 2015. Her previous hosting gig also included a jaw-dropping dance medley, featuring hits like Beyoncé’s “7/11,” Ed Sheeran’s “Thinking Out Loud,” and Fetty Wap’s “Trap Queen.” But 2025’s opening performance proves that the multi-hyphenate entertainer has only gotten bolder, more fearless, and more inclusive.

Lady Gaga Nearly Joined the Hormone Havoc: ‘Big Mouth’ Creators Reveal Missed Opportunity in Final Season

Andy Lalwani
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Lady Gaga Nearly Joined the Hormone Havoc: ‘Big Mouth’ Creators Reveal Missed Opportunity in Final Season

As Netflix’s hit animated comedy Big Mouth officially wraps its eighth and final season, fans are saying goodbye to one of television’s boldest, bawdiest explorations of adolescence. But behind the scenes, the creative team revealed one near-miss that left them heartbroken—and it involves none other than pop icon and LGBTQ+ trailblazer Lady Gaga.

Yes, Big Mouth almost had Lady Gaga.

While the Grammy and Oscar winner didn’t end up lending her voice or music to the show, the creators tried—hard—to make it happen in the series’ grand finale. As Big Mouth exits the stage with its signature blend of crude humor and heart, the story of Gaga’s almost-involvement gives fans a glimpse into the show’s ambition and the cultural clout it nearly flexed one last time.

A Coming-of-Age Show That Actually Grew Up

Launched in 2017, Big Mouth follows a group of middle schoolers—including Nick Birch (voiced by co-creator Nick Kroll), Andrew Glouberman, Jessi Glaser, and Matthew MacDell—as they navigate the terrifying terrain of puberty. What set Big Mouth apart was its commitment to growth—literally. Unlike other animated series where characters remain frozen in time, Big Mouth allowed its cast to age, evolve, and graduate into new phases of life.

Ayo Edebiri, Nick Kroll, Jessi Klein, Jack McBrayer, Jason Mantzoukas and Richard Kind arrive at the Netflix's "Big Mouth" Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California.
LOS ANGELES, CALIFORNIA – MAY 22: Ayo Edebiri, Nick Kroll, Jessi Klein, Jack McBrayer, Jason Mantzoukas and Richard Kind arrive at the Netflix’s “Big Mouth” Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California. (Photo by Steve Granitz/FilmMagic)

“It is puberty, and we really covered so much of what we set out to do about this journey,” Kroll told The Hollywood Reporter at the show’s Los Angeles premiere. “Most animated shows, they go on forever. People are frozen in whatever time they are in. Our show evolved. The kids evolved, moved through time, grew, and changed—and that was part of the joy of making the show.”

Co-creator Andrew Goldberg, a Family Guy alum, said he initially assumed Big Mouth would mimic the ageless format of other cartoons. “But my collaborators reminded me: this is a show about changes,” he said. “Puberty is a discrete time in life—it doesn’t go on forever.”

Ayo Edebiri and Nick Kroll arrives at the Netflix's "Big Mouth" Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California.
LOS ANGELES, CALIFORNIA – MAY 22: Ayo Edebiri and Nick Kroll arrives at the Netflix’s “Big Mouth” Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California. (Photo by Steve Granitz/FilmMagic)

The Guest Star Wish List: Gaga at the Top

Over its run, Big Mouth welcomed more than 200 guest stars, from Maya Rudolph and Jordan Peele to John Mulaney, Lupita Nyong’o, and David Thewlis. But not every celebrity pitched responded to the call—and a few dream names remained elusive to the very end.

While celebrating Steve Buscemi’s addition to the final season (voicing a bizarrely lovable feline named Mr. Pink), Kroll revealed they had high hopes for a different kind of superstar.

“We wanted to get Howard Stern and we couldn’t get him. He did so much in inspiring the show; he’s the best, he’s the king,” Kroll said. “And Lady Gaga—we tried to get as well. Turns out she’s busy.”

Andrew Goldberg echoed the sentiment: “We really, really wanted Howard Stern to do the show. He doesn’t do anything, and we were no exception.”

Andrew Rannells arrives at the Netflix's 'Big Mouth' Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California Photo: Steve Granitz/FilmMagic.
Andrew Rannells arrives at the Netflix’s ‘Big Mouth’ Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California

But it was co-creator Mark Levin who revealed the full extent of Gaga’s potential involvement: “We asked Lady Gaga to do a song in the last season and she was too busy. That was sad—but not surprising.”

Lady Gaga and the Legacy She Almost Cemented

For LGBTQ+ fans, Gaga’s almost-involvement is especially bittersweet. With a discography full of queer anthems and a decades-long commitment to LGBTQ+ rights and advocacy, Gaga’s presence in Big Mouth would have felt like a full-circle moment. The show, like Gaga herself, has never shied away from embracing queerness in all its complexity.

Matthew MacDell, voiced by Andrew Rannells, became one of the series’ standout queer characters, navigating identity, love, and self-expression in a way rarely seen in mainstream animation. The idea of Gaga performing a track in Matthew’s orbit—or perhaps as a new fantastical being like a Shame Wizard or Hormone Monster—would have been iconic.

While the dream didn’t materialize, the fact that the creators envisioned her as part of their final act speaks volumes about her cultural resonance—and about Big Mouth’s deep-rooted connection to the LGBTQ+ community.

Confronting the Final Monster: The Future

As Big Mouth comes to a close, the theme of the final season is one that resonates deeply with both teens and adults: fear of the future. According to Levin, “Fear of the future and fear of the unknown is the thing that really jumped out as the biggest monster of all for them to confront.”

It’s a fitting end for a show that built a universe around metaphorical monsters—Hormone Monsters, Anxiety Mosquitoes, and Depression Kitties—to externalize internal struggles. In a way, Lady Gaga’s near-appearance as a musical guest could have served as a triumphant anthem to overcoming those fears.

Though Lady Gaga didn’t make it into Big Mouth’s last hurrah, the show’s final season is still packed with emotional revelations, absurd humor, and boundary-pushing storytelling. Its commitment to showcasing queer identity, adolescent awkwardness, and the universality of growing up ensures it will remain a landmark show in animated television history.

The eighth and final season of Big Mouth is now streaming exclusively on Netflix.

Kesha Is Free, Fierce, and Building a Whole New Music World with New Smash App Announcement

Josh Azevedo
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Kesha Is Free, Fierce, and Building a Whole New Music World with New Smash App Announcement

Kesha is in her reinvention era, and it looks good on her.

The pop icon, known for early 2010s anthems like “Tik Tok” and her latest track “Joy Ride,” is back with more than just glitter. She’s launching a new tour, dropping a fiercely independent album, and—plot twist—starting her own music-centered tech platform.

New Era, New App: Meet Smash

Kesha, now a fully independent artist following a tumultuous split from her former label and producer, has made it clear she’s not just here to sing. She’s here to disrupt.

Her latest venture? An artist-first social media platform called Smash, announced on Instagram and currently in development. Kesha describes it as a hybrid between LinkedIn and Fiverr—but for music creators. The vision? A space where musicians can collaborate, connect, and retain full rights to their creations.

“I think we realize what systems are f—ing broken and we smash them,” Kesha said in an interview with Wired.

Smash aims to give artists direct access to one another without the middlemen. Users will be able to find collaborators, offer services, and build community—all without sacrificing intellectual property.

“I want a place where artists and music makers of any kind can have community, collaborate, and retain all the rights to everything they create,” she said.

The platform is still in early stages, with a website collecting emails for updates and a seed funding round just opened. Kesha’s CTO is Apple alum Alan Cannistraro, and she’s actively consulting fellow artists on the platform’s design.

Free Woman, Full Voice

Kesha’s upcoming U.S. tour, launching in late May, is her first as an independent artist. For the first time since she was 18, she holds the legal rights to her own voice.

“This is my first U.S. tour where I get to fully embody that freedom,” she said. “I can feel the difference.”

The setlist might surprise longtime fans—Kesha teased that she’s revisiting songs she once abandoned due to painful associations. “I’m healing my relationships with those songs,” she said. “So potentially on tour you might be hearing some healing in real time.”

Asked for a preview? “People are going to f—ing s— themselves,” she laughed. “That’s what I want. I want everyone shitting themselves in unison at Madison Square Garden.”

Her Most Explosive Tour Yet

Kesha is planning what she calls her “most tech-forward show ever,” featuring laser visuals, AI integrations, and even interactive gloves that control lights and sound.

“I used to be just a hippie in the woods,” she said. “Now I’m a hippie in the woods with lasers.”

Far from being wary of tech, Kesha is embracing it as a tool for connection. “Tech connects us all. It’s our evolution,” she said. “I want to use it with humanity in mind.”

And yes, she acknowledges the tension between AI and artists. “We’ve opened Pandora’s box. Now we need to work with it in a way that protects creators.”

Her New Album: “.”

Kesha’s sixth studio album, symbolically titled “.”, drops on July 4, 2025, one year to the day after her triumphant return single “Joy Ride.” The album marks her first release under her own label, making Independence Day an on-the-nose release date in the best way.

Album cover artwork for '.'
Album cover artwork for ‘.’ Photo: Kesha Records

The record is expected to echo the high-energy, escapist pop Kesha’s known for—what fans have dubbed “recession pop,” a genre that thrives when the world feels heavy.

“I’m a punk. I thrive in poverty and chaos,” she said. “When the world’s a dumpster fire, people need release. That’s where my music lives.”

A Tech-Psychedelic Origin Story

The name Smash wasn’t born in a boardroom. It came to Kesha during a psychedelic mushroom journey—a moment she describes as divine clarity.

“It made my whole life make sense,” she said. “After what I’ve been through, it was like, ‘Oh, this is what I’m meant to do.’”

In that vision, Smash was a space that fixed the broken systems she’s long been subjected to. “There are gatekeepers in this industry. Rich, white, straight men who control everything. And that’s just not it anymore.”

Kesha wants Smash to serve as an alternative—one where artists don’t have to sign exploitative deals or beg for access. “If you want to f— some s— up culturally, if you think the music business is broken, come to Smash,” she said. “This is for you.”

 

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A post shared by Kesha (@kesha)

Reclaiming Power, One Beat at a Time

Kesha reflected on a moment at the height of her fame when she was playing arenas but feeling far from herself. She was starving, in clothes she didn’t want to wear, and disillusioned.

“I looked in the mirror and thought, this is not who I am,” she said.

So she quit. She started a punk band called Yeast Infection and returned to dive bars.

“That’s who I am. When things are just not it, I call it out,” she said. “Now I want to protect artists. I want to pay artists. If you like music, if you want your artists to be well and healthy—Smash is for you.”

What’s Next?

Smash is still being built, but the mission is loud and clear: Kesha is reclaiming the pop star narrative on her own terms—and bringing other creators with her.

And if her track record of throwing glitter in the face of adversity is any indication, this ride is going to be one hell of a joy ride.

Andrew Rannells Admits His Character from ‘Big Mouth’ is Inspired by a Young Kim Cattrall from ‘Sex and The City’

Andy Lalwani
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Andrew Rannells Admits His Character from ‘Big Mouth’ is Inspired by a Young Kim Cattrall from ‘Sex and The City’

As Netflix’s acclaimed animated series Big Mouth draws to a close with its eighth and final season, fans are reflecting on the show’s bold storytelling and memorable characters. One standout character is Matthew MacDell, the openly gay middle schooler known for his sharp wit and unapologetic confidence. Portrayed by Broadway star Andrew Rannells, Matthew’s voice has captivated audiences since Season 1. In a recent revelation, Rannells shared that his portrayal of Matthew was inspired by none other than Samantha Jones from HBO’s Sex and the City.

@gayety

Andrew Rannells claims that his inspiration for his gay character in ‘Big Mouth’ is based off of Kim Cattrall from ‘Sex and The City.’

♬ original sound – Gayety

A Bold Inspiration

In a candid conversation with Big Mouth co-creator Nick Kroll, Rannells disclosed that when he was first approached to voice Matthew, he envisioned the character as a “gay bully.” Drawing from this concept, Rannells decided to channel the essence of Samantha Jones, famously portrayed by Kim Cattrall, known for her boldness and unapologetic sexuality. Rannells admitted, “I came in with this idea that I was just going to do an impersonation of Kim Cattrall and no one said anything. And then it was eight seasons later.”

Kroll, who voices several characters on the show, including Nick Birch and Coach Steve, expressed surprise upon learning of Rannells’ inspiration. He remarked, “I only found out last year what your inspiration was for the voice of Matthew.”

Matthew’s Evolution on Screen

Since his debut, Matthew has evolved from a secondary character to a fan favorite. His journey has mirrored the show’s broader themes of self-discovery and acceptance. In earlier seasons, Matthew navigated the complexities of adolescence, including coming out to his friends and grappling with his identity. His character provided a refreshing portrayal of a gay teenager who was neither a tragic figure nor a stereotypical flamboyant character, but rather a nuanced individual with depth and authenticity.

Rannells’ portrayal of Matthew has been lauded for its sincerity and comedic timing. His voice work brought a unique energy to the character, blending sharp humor with moments of vulnerability. This balance resonated with viewers, particularly those seeking representation of LGBTQ+ characters that felt genuine and multifaceted.

The Impact of ‘Big Mouth’

Big Mouth has been praised for its candid exploration of puberty, sexuality, and identity. The series, co-created by Nick Kroll, Andrew Goldberg, Mark Levin, and Jennifer Flackett, has tackled topics such as hormone-driven emotions, body image, and the complexities of sexual orientation. By incorporating characters like Matthew, the show has provided a platform for diverse voices and experiences, contributing to broader conversations about representation in media.

The show’s success is evident in its critical acclaim and longevity. Over its eight-season run, Big Mouth garnered multiple Emmy nominations and wins, solidifying its place in the pantheon of animated series that push boundaries and challenge societal norms. The series also spawned a spin-off, Human Resources, which delved deeper into the anthropomorphized emotions introduced in Big Mouth.

Green Qween Opening West Hollywood’s First LGBTQ+ Owned Cannabis Dispensary

Josh Azevedo
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Green Qween Opening West Hollywood’s First LGBTQ+ Owned Cannabis Dispensary

West Hollywood is getting a little greener — and a lot queerer.

Green Qween, the beloved LGBTQ+-owned cannabis dispensary brand, is officially opening its third location at 802 San Vicente Boulevard on Friday, May 30th, making history as West Hollywood’s first queer-owned cannabis shop. Located in the heart of the city’s bustling nightlife district, the store brings bold style, community spirit, and high-quality cannabis to a neighborhood built by and for queer pioneers.

The move marks a major milestone for LGBTQ+ representation in the cannabis industry, honoring the movement’s activist roots while paving the way for a more inclusive future.

A Milestone for Cannabis and Queer Culture

“We must remember that LGBTQ+ activists created the first medical dispensaries during the AIDS epidemic of the ’80s and ’90s,” said Andrés Rigal, co-founder of Green Qween. “It’s because of queer history that we have this opportunity to make history in West Hollywood and beyond.”

Rigal and fellow co-founder Taylor Bazley partnered with Tristan Schukraft, the owner of iconic queer venues like The Abbey and founder of MISTR, to bring this vision to life in West Hollywood.

“I mean, how was there not a gay-owned dispensary in West Hollywood until now?” said Schukraft. “We had to fix that.”

Loud, Proud, and Unapologetically Queer

Green Qween isn’t just another cannabis dispensary — it’s a cultural hub. Known for prioritizing LGBTQ+ and POC-owned cannabis brands, Green Qween uplifts local artists, supports nonprofits, and aims to make meaningful change in and for the community.

“Green Qween is loud, proud, and unapologetically queer, just like our community,” Schukraft said. “This isn’t just about cannabis — it’s about claiming ownership, honoring our legacy, and making space for ourselves in every corner of culture.”

Step Inside: A Disco Dream Come True

Green Qween West Hollywood is a sensory playground. Designed in collaboration with Visual Elements, the boutique-sized shop features retro flair mixed with sleek postmodern aesthetics in vibrant neo-mint and pink hues. The showstopper? A five-foot disco ball that casts dazzling reflections through floor-to-ceiling windows and onto Santa Monica Boulevard.

Inside, a custom wall of cannabis flower welcomes guests with interactive scent jars, allowing visitors to smell and explore California-grown cultivars. Arched shelving and playful, illuminated signage greet customers with cheeky reminders like “Pass Joints, Not Judgment.”

In short, it’s part dispensary, part disco, all queer.

Green Qween launches WeHo’s first LGBTQ+ owned cannabis dispensary with art, activism, and a disco ball centerpiece.
Photo: Green Qween
Green Qween launches WeHo’s first LGBTQ+ owned cannabis dispensary with art, activism, and a disco ball centerpiece.
Photo: Green Qween
Green Qween launches WeHo’s first LGBTQ+ owned cannabis dispensary with art, activism, and a disco ball centerpiece.
Photo: Green Qween
Green Qween launches WeHo’s first LGBTQ+ owned cannabis dispensary with art, activism, and a disco ball centerpiece.
Photo: Green Qween

Art With Heart: A Mural for the Community

Outside the shop, acclaimed artist Patrick Church has painted an original mural titled “Land of My Dreams.” The vivid, expressive piece celebrates connection, humanity, and shared identity — transforming Green Qween’s storefront into a new landmark for public art in West Hollywood.

A Queer-Owned Brand With Purpose

Founded in Los Angeles, Green Qween is a queer- and POC-led social equity brand with a mission rooted in activism. Inspired by the LGBTQ+ leaders who first championed medical marijuana, the brand is committed to increasing representation in cannabis while creating economic opportunities for marginalized communities.

Beyond its new WeHo flagship, Green Qween also operates stores at 1051 S. Broadway in Downtown L.A. and 13711 Ventura Blvd in Sherman Oaks.

Starting May 31, Green Qween West Hollywood will be open daily from 10 a.m. to 10 p.m. at 802 San Vicente Blvd.

For more, visit www.thegreenqween.com or follow @shopgreenqween on Instagram.

Meet the Man Behind the Mission

Tristan Schukraft, dubbed “The CEO of Everything Gay,” is more than a nightlife impresario. After launching the airline travel platform ID90.com, he founded MISTR, now the largest telemedicine platform dedicated to HIV prevention and care.

PUERTO VALLARTA, MEXICO - APRIL 25: Tristan Schukraft attends the Grand Opening Weekend at The Tryst Puerto Vallarta: Opening Night Party at The Tryst Puerto Vallarta on April 25, 2025 in Puerto Vallarta, Mexico.
PUERTO VALLARTA, MEXICO – APRIL 25: Tristan Schukraft attends the Grand Opening Weekend at The Tryst Puerto Vallarta: Opening Night Party at The Tryst Puerto Vallarta on April 25, 2025 in Puerto Vallarta, Mexico. (Photo by Presley Ann/Getty Images for Tryst Hotels)

He later expanded into LGBTQ+ hospitality with properties like The Tryst in Puerto Vallarta and Circo Nightclub in Puerto Rico. His recent ventures include The Blue Whale, The Pavilion, and other iconic spots in Fire Island Pines, as well as DS Tequila in Chicago.

With Green Qween, Schukraft continues his mission to build inclusive spaces that serve — and celebrate — the queer community.

Reneé Rapp Joins Jennifer Lopez and Troye Sivan at WorldPride Music Festival in DC

Josh Azevedo
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0
Reneé Rapp Joins Jennifer Lopez and Troye Sivan at WorldPride Music Festival in DC

The “It’s Not My Fault” singer will also serve as a grand marshal at the WorldPride Parade on June 7.

Pop powerhouse, Broadway breakout, and queer icon Reneé Rapp is turning up the volume for WorldPride 2025 in Washington, D.C.

Fresh off the release of her fiery new single, “Leave Me Alone,” Rapp is set to light up the stage at the WorldPride Music Festival, taking place June 6 and 7 at the RFK Festival Grounds. She joins an electrifying lineup that includes Jennifer Lopez, Troye Sivan, Paris Hilton, Kim Petras, Zedd, RAYE, Galantis, Purple Disco Machine, Tinashe, Sofi Tukker, Rita Ora, and more.

But that’s not all—Rapp will also serve as a grand marshal for the city’s iconic WorldPride Parade on June 7, cementing her place as one of Pride’s most visible and vocal champions.

A Star with Something to Say

Known for her breakout performances in Mean Girls and HBO’s The Sex Lives of College Girls, Rapp has also carved out a space in pop music with bold, emotionally raw hits like “It’s Not My Fault” and “Talk Too Much.”

She brings that same unfiltered energy to Pride.

“Pride is everything. It is protection, it is visibility, it is intersectional. But most importantly, it is a celebration of existence and protest,” Rapp said in a statement shared by WorldPride.

Her presence at both the parade and festival isn’t just another appearance—it’s a declaration.

Reneé Rapp joins Jennifer Lopez, Troye Sivan, and more at WorldPride Music Festival and Parade in D.C., June 6–7.
Photo: WorldPride

The Biggest LGBTQ+ Music Festival in History?

This year’s WorldPride Music Festival is on track to be the largest LGBTQ+ music event ever, with more than 3 million people expected to attend WorldPride events across the city.

The two-day festival will feature four immersive stages, art installations, live performances across genres (pop, techno, house, drag, and more), and some of the most vibrant queer experiences ever assembled on the East Coast.

Produced by Dreamland’s Jake Resnicow, one of OUT100’s Most Influential LGBTQ People of the Year, in partnership with Capital Pride and Club Glow, the event blends entertainment with empowerment.

“WorldPride is about amplifying LGBTQ+ voices on a global stage,” said Resnicow. “Reneé Rapp represents everything this moment is about — authenticity, empowerment, and fearless queer joy.”

What’s New This Year?

In addition to Rapp’s must-see set, this year’s festival is debuting several exciting features:

  • The Unity Stage: Showcasing local and international LGBTQ+ performers

  • The Drag District: Hosted by RuPaul’s Drag Race winner Symone, with performances from Derrick Barry, Jimi The Kween, and glam courtesy of JLo Beauty

  • Official After-Parties: 11 epic events across D.C., including sets by Zedd and Purple Disco Machine at the legendary Echostage

  • The Pier Dance at The Wharf (June 8): Back-to-back sunset sets from Sofi (of Sofi Tukker) and LP Giobbi against the backdrop of D.C.’s stunning Southwest waterfront

Don’t Miss Out

Tickets—including General Admission, GA+, and VIP packages—are selling fast. For more information or to purchase tickets, head to WorldPride25.com.

Proceeds from the festival support Capital Pride Alliance and other local LGBTQ+ nonprofits.

For live updates and behind-the-scenes moments, follow @WorldPrideMusicFestival on Instagram.

Whether you’re dancing under the stars or marching in the streets, this year’s WorldPride celebration is shaping up to be unforgettable—and Reneé Rapp is ready to bring the house down.

Yungblud Reflects on Queerbaiting Claims and Social Media Break in Candid New Interview

Josh Azevedo
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Yungblud Reflects on Queerbaiting Claims and Social Media Break in Candid New Interview

British rocker opens up about identity, gender expression, and love on the “We Need to Talk” podcast.

British singer Yungblud is setting the record straight on his sexuality, identity, and the pressures that come with public scrutiny. In a candid conversation on the We Need to Talk podcast with Paul C. Brunson, the 27-year-old artist discussed growing up in Doncaster, navigating fame, and taking a recent break from social media—partly triggered by persistent “queerbaiting” accusations.

“If the Person’s a Vibe, the Person’s a Vibe”

Dominic Harrison, known to fans as Yungblud, didn’t hold back when asked about the criticism he’s received online. Specifically, Brunson brought up claims of queerbaiting—a term used when individuals hint at queer identities or relationships to appeal to LGBTQ+ audiences without authentically representing those identities.

Yungblud attends the NME Awards 2020 at O2 Academy Brixton on February 12, 2020 in London, England. Photo: Jo Hale/Redferns
Yungblud attends the NME Awards 2020 at O2 Academy Brixton on February 12, 2020 in London, England. Photo: Jo Hale/Redferns

“I’ve f—ed everyone under the sun, and that’s the vibe,” Yungblud said with characteristic boldness. “I love love. And if it’s a vibe, it’s a vibe.”

The comment echoes what Yungblud has previously shared about his sexuality. In a 2020 interview with Attitude, he came out as polyamorous and pansexual, saying, “I love everyone, I’m attracted to everyone.” For the artist, love and connection have never followed traditional rules.

Pushing Boundaries, Personally and Professionally

Known for his gender-fluid fashion and genre-bending music, Yungblud has never shied away from challenging societal expectations. During the podcast, he revealed that he’s been expressing himself through clothing since childhood—“I’ve been wearing a skirt since I was six,” he said proudly.

 

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A post shared by YUNGBLUD (@yungblud)

Yungblud emphasized that assumptions about his identity often come from people who know very little about him personally. “People can formulate an idea on something they don’t even know,” he explained, highlighting the disconnect between public perception and personal truth.

A Break From the Noise

Amid the noise of social media, Yungblud decided to hit pause. While not entirely blaming online hate, he admitted that harsh criticism—especially around his queerness and expression—was a contributing factor.

The decision to step back reflects a growing trend among public figures prioritizing mental health over constant online engagement. For Yungblud, the space offered a chance to reset and return on his own terms.

Authenticity Over Approval

Whether it’s through his music, fashion, or personal life, Yungblud’s message remains clear: authenticity matters more than fitting into a box. As he continues to challenge expectations and celebrate individuality, he encourages fans to embrace the same freedom.

“I love love,” he repeated. “That’s what matters.”

The ‘Fear Street: Prom Queen’ Cast on Queer Outsiders and Slasher Secrets

Caitlynn McDaniel
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The ‘Fear Street: Prom Queen’ Cast on Queer Outsiders and Slasher Secrets

In Fear Street: Prom Queen, campaigning for the crown could just be the last thing you do. Set in 1988, Netflix’s newest entry in the R.L. Stine-inspired franchise throws us into the wolfpack of Shadyside High’s popular girls, a clique known for their charm, cruelty, and cutthroat campaigns for prom queen. But when outsider Lori is suddenly nominated, the high school hierarchy is shaken—and people start disappearing.

The cast behind the bloodbath—Suzanna Son (Megan), David Iacono (Eddie), Ella Rubin (Sarah), Ariana Greenblatt (Debbie), and Rebecca Ablack (Shannon)—joined us to unpack why horror has always belonged to the misfits.

Horror Is for the Weird Kids

Fear Street: Prom Queen. (L-R) Suzanna Son as Megan Rogers and India Fowler as Lori Granger in Fear Street: Prom Queen.
Fear Street: Prom Queen. (L-R) Suzanna Son as Megan Rogers and India Fowler as Lori Granger in Fear Street: Prom Queen. Cr. Alan Markfield/Netflix © 2025.

Son especially felt a connection with her character, Megan.

“I think it was beautiful, and it kind of healed a part of my inner child in a way to play who I think I needed to be friends with in high school. This person who was so unapologetically herself, so sweet and so loyal to her friends, it was just nice and healing.”

The horror franchise has long embraced queerness, othering, and found family—and Prom Queen is no different. From jocks and queen bees to loners and goths, the film nods to classic slasher tropes while making room for nuance.

What They Don’t Tell You About Filming Horror

Fear Street: Prom Queen. (L-R) The Killer, India Fowler as Lori Granger and Suzanna Son as Megan Rogers in Fear Street: Prom Queen.
Fear Street: Prom Queen. (L-R) The Killer, India Fowler as Lori Granger and Suzanna Son as Megan Rogers in Fear Street: Prom Queen. Cr. Alan Markfield/Netflix © 2025.

Behind the blood and body count, horror filmmaking is surprisingly demanding—both physically and emotionally.

“It’s such a physical job,” Rubin said. “You don’t realize—you’re screaming, and your body is moving, and you’re running and shaking. You’re really embodying being terrified.” Her performance demanded full-body commitment, especially during scenes that required running or reacting to sudden scares.

“You have to witness your friends be terrified, and you’re just as terrified,” Ablack said. “That’s not just screaming—it’s emotional.” She explained that horror often gets written off as easy or surface-level, when in reality, it’s layered and demanding.

“The amount of running in this movie—I pulled both of my quads,” Son said, laughing. “They don’t tell you how athletic horror is.” From constant takes to elaborate chase sequences, it was more like training for a marathon than shooting a movie.

Staying scared on command was its own challenge. “You’re doing a really scared take, and then another scared take, and another scared take,” Greenblatt said. “So that definitely affects you physically and emotionally.”

To add to the atmosphere, the crew filmed in an actual abandoned school. “It adds a layer of eeriness,” Iacono said. “It helped a lot with building that sense of fear.”

And yes—there was plenty of screaming.

“I learned pretty quickly to scream from my stomach, not my throat,” Son said. “Otherwise, you’re done.” She noted that scream technique is essential if you want to make it through production with your voice intact.

“I feel like Ariana had a really good one,” Rubin said, nominating her co-star for best scream.

“Thanks, guys. I just drink a lot of tea after,” Greenblatt added, laughing. Vocal recovery became just as important as the scream itself.

Favorite Horror Deaths… and Why They’re Always Killing Women

Fear street Prom Queen: * Ella Rubin, Rebecca Ablack, Ilan O'Driscoll, Finna Strazza
Fear Street Prom Queen Still/ Cr. Alan Markfield/Netflix © 2025.

From Terrifier 3 to Hereditary, the cast had plenty to say about gruesome horror deaths that stuck with them.

Rubin confessed she watched Terrifier 3 by accident: “I didn’t know what I was getting into… and I watched it right before bed.”

Rebecca Ablack voiced a question that lingers in the minds of many horror fans:

“All I can think of is women dying. Why are they always trying to kill us?”

She pointed to Scream as a perfect example, referencing Drew Barrymore’s iconic early death. Let’s talk about the real questions.

The observation speaks to a long-standing trope in the genre—one that places women at the center of violence and survival. In Prom Queen, those patterns are present, but the film also gives its female characters more agency, emotion, and power than the genre often allows.

Whether you’re watching for the screams, the blood, or the subtext, Fear Street: Prom Queen delivers it all with style, smarts, and just the right amount of camp.

Stream it May 23 on Netflix—just don’t wander off alone. And watch our interviews with the cast below!

‘Wish You Were Queer’ Hits OUTtv Today With a Hilarious, Heartfelt Road Trip Across Queer America

Josh Azevedo
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‘Wish You Were Queer’ Hits OUTtv Today With a Hilarious, Heartfelt Road Trip Across Queer America

Comedians Michael Henry and Tim Murray have already captured hearts (and funny bones) across the internet with their viral queer comedy sketches. But starting today, the duo is taking their act on the road in OUTtv’s brand-new docu-series, Wish You Were Queer, now streaming.

 

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A post shared by Michael Henry (@michaelhenry915)

From West Hollywood to the Heartland

In this six-part series, Henry and Murray leave the safety of their West Hollywood comfort zone and embark on a cross-country journey through cities not typically known for queer comedy. Think Columbus, Louisville, Nashville, Atlanta, Pensacola and New Orleans—each with its own flavor of LGBTQ+ life.

The pair’s mission? To prove they can make middle America laugh just as hard as the West Coast gays do. And the person they’re trying to impress? None other than drag icon and business mogul Trixie Mattel, who challenges them to step outside the LA bubble. If they succeed, she’ll consider producing their next comedy special.

Photo: ‘Wish You Were Queer,’ OUTtv
Photo: ‘Wish You Were Queer,’ OUTtv

Queer Comedy Meets Road Trip Realness

Loaded into a fabulous RV camper, Henry and Murray hit the pavement in each city, putting on live comedy shows—but not before pounding the pavement and getting to know the local queer communities. From bar crawls to brunches to deeply personal conversations, the two immerse themselves in what it means to be queer outside of major metropolises.

What follows is equal parts comedy special and LGBTQ+ travel diary. With humor as their vehicle and community as their destination, each episode offers absurd antics, belly laughs, and emotional moments of reflection.

Photo: ‘Wish You Were Queer,’ OUTtv
Photo: ‘Wish You Were Queer,’ OUTtv

“Middle America gays are wild,” Henry said. “And thankfully, Trixie Mattel also wanted to be a part of this gay mayhem.”

A Show That’s as Heartfelt as It Is Hilarious

While Wish You Were Queer is packed with over-the-top humor, it’s also a celebration of queer life across the country. In a press statement, OUTtv COO Philip Webb called the show “a fresh, funny, and touching perspective on LGBTQ+ life in unexpected places.”

Murray agrees. “Every time we’ve been on the road exploring what’s gay in each city, we’ve said ‘someone should be filming this’—and now they are!”

The show was produced by D’Marie Productions and executive produced by Mike Kelton and Frank Spadafora. All six episodes of Wish You Were Queer are available to stream now on OUTtv.

JoJo Siwa Sparks Romance Rumors with Chris Hughes After Lyric Switch at Birthday Show

Josh Azevedo
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JoJo Siwa Sparks Romance Rumors with Chris Hughes After Lyric Switch at Birthday Show

JoJo Siwa may be singing a new tune—and fans are convinced it’s about fellow Celebrity Big Brother star Chris Hughes.

Speculation is swirling around Siwa and Hughes after a recent performance in Mexico, a cozy birthday celebration, and some not-so-subtle social media content—despite the duo insisting their relationship is platonic. Could romance be on the horizon, or are they just really, really close friends? Let’s break it all down.

From Reality TV to Real Chemistry?

JoJo Siwa and Chris Hughes first met while filming Celebrity Big Brother UK, where their on-screen connection immediately caught viewers’ attention. During their time in the house, the two were spotted cuddling, kissing, and sharing emotional moments—despite the controversy surrounding their 10-year age gap. Siwa is 22; Hughes is 32.

At the time, Siwa was still publicly linked to Australian influencer Kath Ebbs, 27. That relationship has since ended, and fans are now dissecting every post, lyric, and glance between Siwa and Hughes for clues about what might be blooming.

Birthday Bliss and Big Clues

On May 21, Siwa turned 22 and shared a series of Instagram photos from her birthday week, many of them featuring Hughes. In the first photo, Hughes is shown adoringly looking at Siwa as she rests her head on his shoulder. Other snaps show the pair sharing breakfast—Siwa sipping from a mug emblazoned with Hughes’ face—and a sweet video of Hughes surprising her with hand-wrapped gifts.

 

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A post shared by JoJo Siwa (@itsjojosiwa)

“The week I’ll remember for the rest of my life,” Siwa captioned the carousel, calling the celebrations “magical,” “meaningful,” and “absolutely beautiful.”

Hughes also took to Instagram, sharing his own set of memories from the week, writing: “The previous 7 days have been the prettiest…”

 

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A post shared by Chris Hughes (@chrishughesofficial)

Fans? Officially losing it.

The Lyric Change Heard ’Round the Internet

If fans weren’t already suspicious, Siwa sent speculation soaring after her live performance of Bette Davis Eyes in Mexico. In a cheeky twist, she swapped the original lyric “She’s got Bette Davis eyes” with “Chris Hughes’ eyes”—while Hughes was in the audience.

Naturally, TikTok lit up.

“Chrisss Hughes’ eyes. No stopppppp I am too invested in this,” one user wrote. Another added, “Omg JoJo and Chris we are literally all rooting [for] you, seriously made for each other.”

@itsjojosiwa

Joelle X Bette Davis Eyes x Live in Mexico City:)🤍

♬ original sound – JoJo Siwa

Others joked: “Please just put us all out of our misery Jojo and tell us you’re married already,” and “I cannot tell if this is a hard launch or if you guys are platonic…”

So… Are They or Aren’t They?

In a joint interview on This Morning following their Big Brother exit, both Siwa and Hughes emphasized their bond was platonic. When asked whether there’s potential for something more in the future, Siwa played it cool: “Whatever life does, life will do.”

She also used the show to speak openly about her evolving identity, noting that she now identifies as queer rather than strictly lesbian. “I think that’s really cool, I’m switching letters. I’ve dropped the L and I’ve gone to the Q, baby!” she said with a laugh.

Whether Siwa and Hughes are besties or something more, the internet is hooked—and clearly, so are they.

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