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Megan Stalter and Will Sharpe Spill Their Wildest Dating Stories

“I feel like it’s good to do a light launch into the first message. Right? You got to catch their eye with something a little bit more gentle,” Megan Stalter told Gayety when asked about her dating app go-tos.

The comedian is currently promoting her upcoming series Too Much, Netflix’s new romantic dramedy (streaming July 10) starring Stalter as Jessica, a New Yorker in her mid-thirties still reeling from a breakup that shattered her world. She escapes to London to be alone—but instead stumbles into something real with Felix (Will Sharpe), a man who’s somehow both charming and full of red flags.

A Messy Lead with a Big Heart

But the show explores so much more than just romantic connections. As creator Lena Dunham put it, Too Much is about people “who are figuring it out.”

“With Jessica, I also wanted to show that someone could be really messy and really complicated and also have a really good, pure heart,” Dunham said. “She says the wrong thing, she puts her foot in her mouth, but she is always trying and she always wants to make everybody feel seen and reflected. And I love that she’s a lover and that she’s a kind of—Megan and I keep joking—she’s just a good girl. She’s a good girl.”

That’s what makes Jessica’s relationship with Felix feel so refreshing—it’s not about being saved by love. It’s about feeling like yourself again.

“What I want people to understand is that it’s not about finding a relationship being the ultimate test of who you are as a person,” Dunham explained. “It’s just that she realizes that Felix makes her life better. He makes her feel happier. He makes her feel more like herself. And also, had she not found that and had she found that with a friend or with her mother and her sister or with her dog, that would also have been a totally okay version of life.”

What’s a Meet-Cute?

And how about that meet-cute? “I really enjoyed the film, how unconventional it was, how real it was,” said interviewer Caitlynn McDaniel. “And one part that really stuck out to me was of course, the meet-cute. I mean, who doesn’t love to meet in a dirty pub bathroom?”

“It’s very romantic,” Stalter joked.

Sharpe’s own love story had a similarly chaotic start. “I met…so, my other half when we were in a show called Casualty that we have in England, which is like a medical drama,” he shared. “And the first scene we had together, I see a severed head in a field, and then I’m so scared that I back away from the head and then I smash my face into an ambulance. And then she had to do a kind of routine test on my vision—am I impaired, and have I gone insane from running into an ambulance? So that was quite a weird… first encounter, I guess.”

Stalter’s story might sound more familiar—but still serendipitous. “I met my girlfriend on a dating app,” she said, before adding, “We’ve had really crazy synchronicities. And our first date was at a restaurant, which is not the same as the set thing that you were describing, but…I would say, I think meeting on… It’s interesting—even if you meet on a dating app, everything still has to align for you to meet. That you’re living in the same city…I mean, me and my girlfriend lived in the same city for a year, and then we didn’t actually meet for years…six years later. So I think that’s kind of crazy too, don’t you think?”

As Stalter summed it up: “We sent a lot of voice notes before we met. I liked that. It felt like I already knew her.”

Whether you’re dodging ambulance doors or debating your opening line on Hinge, Too Much gets it. Love is messy. People are weird. But if they make you feel more like you—that’s something worth holding onto.

Too Much premieres July 10 on Netflix. Watch the full interview below.

London Christian Woman Claims This Trans Flag Crossings Marginalize People Like Her

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A 57-year-old evangelical Christian woman from London has launched a legal challenge against Camden Council over a set of pedestrian crossings painted in the colors of the transgender pride flag. The crossings – unveiled nearly four years ago as a symbol of inclusion during Transgender Awareness Week – are now at the center of a dispute over free speech, political neutrality, and LGBTQ+ visibility in public spaces.

Blessing Olubanjo, a member of the Christian Peoples’ Alliance Party, claims the colorful crosswalks infringe on her rights as a Christian and taxpayer. Backed by the Christian Legal Centre, she is threatening legal action against the council, asserting that the trans-themed designs represent “political symbols” and therefore violate UK laws mandating neutrality in local government communications. “As a Christian and a taxpayer, I should not be made to feel excluded or marginalized by political symbols in public spaces,” Olubanjo said in a statement. “This crossing sends a message that only one viewpoint is welcome.”

The crossings in question – painted in soft blue, pink, and white – are located at the intersection of Tavistock Place and Marchmont Street in Bloomsbury, Camden. Installed in November 2021, they were intended as a tribute to the area’s LGBTQ+ history and to support the visibility of the trans community.

At the time of their unveiling, Councillor Abdul Hai, Camden’s cabinet member for young people, equalities, and cohesion, described the installations as a celebration of inclusion and a nod to the area’s queer legacy. “These crossings are not only an impressive visual statement to help celebrate transgender awareness,” he said, “but also act as a reminder of the rich LGBT+ history and daily life currently in the Bloomsbury area and across Camden.”

Legal Grounds: Neutrality or Erasure?

Olubanjo and her legal team argue the trans crossings breach Section 2 of the Local Government Act 1986, which prohibits councils from publishing material that appears to promote political parties or ideologies. Their claim rests on the interpretation that the crossings themselves constitute a form of “publication” and that trans-inclusive messaging is inherently political.

Her legal representatives have also cited the Human Rights Act 1998, arguing that the installation violates her rights to freedom of belief and expression.

Andrea Williams, chief executive of the Christian Legal Centre, echoed Olubanjo’s concerns, stating: “This is not the role of local government. Public spaces should not be used to promote contested ideologies that alienate people of faith and those who hold to biological reality.”

She added that the council’s use of public funds – reportedly £10,464 for the crossing – amounts to taxpayer money being used for what she described as “political campaigning.”

However, Camden Council has previously denied any specific connection between the location of the crossings and the nearby former site of the Gender Identity Development Service (GIDS), also known as the Tavistock Centre. That NHS service for youth gender care was closed following the recommendations of the Cass Review.

The council’s 2021 statement emphasized that the installation aimed to reflect the inclusive values of the local community – not to endorse any specific organization or agenda.

LGBTQ+ Visibility: Symbolic or “Controversial”?

Olubanjo’s challenge is the latest in a string of objections by conservative figures to LGBTQ+ visual representation in public infrastructure.

In 2023, Baroness Emma Nicholson of Winterbourne controversially claimed that a rainbow-painted crossing in Chiswick, which incorporated Progress Pride flag colors, could trigger migraines and epilepsy – an assertion that was refuted by multiple health experts.

Dr. Katy Munro, a headache specialist at the National Migraine Centre, clarified that traditional zebra crossings – due to their black-and-white, high-contrast design – are actually more likely to trigger migraines than multicolored versions.

Similarly, epilepsy advocacy group Epilepsy Action stated there was “no evidence” that Pride-colored crossings have triggered seizures, even in individuals with photosensitive epilepsy. They noted that the condition affects about 3 in 100 people with epilepsy and is typically activated by very specific light patterns – not static color designs on pavement.

A Wider Debate: Whose Streets?

Olubanjo insists that her legal campaign is about ensuring fairness and inclusion for all belief systems – not just LGBTQ+ people. “I’m standing up not just for myself, but for everyone who feels silenced or sidelined by discredited harmful activism forced on the public by ideologically captured local authorities,” she said.

However, LGBTQ+ advocates argue that crossings like Camden’s trans flag design are not about politics – they are about presence.

“These symbols send a message to queer and trans youth that they are seen and valued,” one Camden resident told Gayety. “Removing them in the name of so-called ‘neutrality’ is really about erasure.”

Many see such visibility measures – especially in light of ongoing legislative attacks on LGBTQ+ rights across the globe – as essential expressions of solidarity, not political provocation.

UK 16-Year-Old Stuns at Prom in Full Drag Hoping to Inspire LGBTQ People

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In a dazzling display of courage, glitter, and unapologetic authenticity, 16-year-old Alfie Smith – known on stage as ESME Doll – attended his high school prom in full Barbie-inspired drag, receiving overwhelming support from students, teachers, and even icons of the drag world.

Strutting into the Orchard School Bristol prom in towering heels, flawless makeup, and a bubblegum-pink dream dress, ESME Doll proved that queer joy and self-expression have a place in every school hallway and dance floor. “This reaction caused my nerves to fully go and confirmed to me that I went in drag for me and because I love this side of myself,” Alfie told PinkNews, recalling how the crowd greeted him with cheers and applause the moment he stepped out of the car.

ESME DOLL. Photo: @louisviellon on Instagram
ESME DOLL. Photo: @louisviellon on Instagram

ESME Doll isn’t just turning heads—she’s turning tradition on its head.

A Real-Life Jamie

Alfie’s journey into drag was sparked when he watched Jamie: Drag Queen at 16, the 2011 BBC documentary that inspired the hit West End musical Everybody’s Talking About Jamie. Just like Jamie Campbell, Alfie dreamed of living authentically – and saw prom as the perfect moment to celebrate that dream in front of his peers.

“I was around eight years old when I first saw the documentary,” he said. “That story changed me. It gave me a vision of what life could be like if I embraced who I really am.”

Fittingly, Jamie Campbell himself took notice of ESME Doll’s prom look, commenting on Instagram: “Wow darling what a vision!”

With Love, from ESME

The Barbie fantasy that ESME Doll brought to life wasn’t created overnight. Alfie collaborated closely with his parents to design the look, sketching out the perfect prom dress and selecting just the right wig to complete his transformation. “ESME Doll is probably the biggest contributing factor to who I am today,” he said. “She helped me figure out my sexuality, my confidence, and everything that makes you an individual.”

ESME DOLL. Photo: @louisviellon on Instagram
ESME DOLL. Photo: @louisviellon on Instagram

And that journey began earlier than many might expect. Alfie first started experimenting with drag while still in primary school, crafting characters and looks long before he had a stage name. “Drag has helped me massively, and I cannot thank the art form enough.”

Now, Alfie dreams of performing internationally, spreading the message that drag isn’t just makeup and costumes – it’s a powerful form of self-empowerment.

A School That Showed Up

Perhaps what’s most inspiring about Alfie’s story is the overwhelming support he received—not just from peers, but from his school. Orchard School Bristol stood behind him every step of the way. “I was told I was inspiring,” he said. “Teachers and students offered endless support.”

ESME DOLL. Photo: @louisviellon on Instagram
ESME DOLL. Photo: @louisviellon on Instagram

One English teacher, in particular, went above and beyond—attending one of his drag performances and proudly hanging a poster for the show in her classroom. “She helped me speak openly about LGBTQ+ issues,” Alfie said. “That kind of support means everything to someone like me.”

Alfie’s experience is a bold and beautiful example of what inclusive education can look like – where queer students don’t just survive, they thrive.

Advice for Schools – and the World

When asked what schools can do to better support LGBTQ+ students, Alfie didn’t hesitate: “Call out homophobic and transphobic abuse,” he said. “Create space where queer students feel seen, heard, and safe.”

He also emphasized the need for adults to step up and be visible allies, especially during a time when trans rights are under political and social attack. “These times are so hard for trans people, so please – if there are trans kids or staff at your school – look out for them. Be that trusted adult who will fight for them.”

It’s a powerful reminder that while drag is about performance, it’s also about protest, community, and love.

ESME DOLL. Photo: @louisviellon on Instagram
ESME DOLL. Photo: @louisviellon on Instagram

“We’re in 2025—Live Out Loud!”

For Alfie, attending prom as ESME Doll wasn’t just a personal milestone. It was a statement. “Even if I only inspired one person that night, that is enough for me,” he said. “Your authenticity might be the light someone else needs to see.”

As for what’s next, Alfie plans to continue performing, speaking out for LGBTQ+ youth, and challenging outdated norms. And his message for other queer teens? “You being out and proud, living your authentic life, will inspire others to do the same! We’re in 2025—we need to help make that change. We need to live in pride, confidence, and empowerment, storm through the hate, and rise above.”

His words echo louder than ever in today’s cultural climate. With drag bans and anti-LGBTQ+ legislation making headlines across the globe, stories like Alfie’s shine like sequins in the dark – offering hope, visibility, and joy.

Clea DuVall Reflects on 25 Years of ‘But I’m a Cheerleader’: ‘It Gave People Courage to Come Out’

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It’s been 25 years since But I’m a Cheerleader first exploded onto the indie film scene in a riot of bubblegum pink, camp aesthetics, and surprisingly raw emotional depth. To celebrate the anniversary of the trailblazing LGBTQ+ cult classic, star Clea DuVall is taking a moment to reflect on the film’s legacy – and how its impact still resonates with fans today. “It was very ahead of its time,” DuVall, now 47, told PEOPLE in a new interview. “There were not a lot of queer-centered stories at the time.”

Directed by Jamie Babbit and written by Babbit and Brian Wayne Peterson, But I’m a Cheerleader follows high school cheerleader Megan (Natasha Lyonne), who is sent to a conversion therapy camp called True Directions after her conservative family suspects she’s a lesbian. There, she meets and eventually falls in love with the rebellious, leather-jacket-wearing Graham, played by DuVall.

The film satirized conversion therapy while spotlighting the absurdity of gender roles and societal expectations, all under the pastel-saturated lens of ‘90s camp. The movie also featured a now-iconic cast including RuPaul (as a faux-masculine counselor), Melanie Lynskey, Michelle Williams, Mink Stole, Cathy Moriarty, and Julie Delpy.

At the time of its release in 1999, queer rom-coms were almost non-existent, let alone ones that dared to tackle issues like forced conversion therapy while still finding space for joy, romance, and queer self-discovery. And while it received mixed reviews from critics back then, But I’m a Cheerleader has grown into a beloved LGBTQ+ touchstone, celebrated for its fearless storytelling and unapologetic queer lens. “It was approaching such serious, real issues that we were dealing with then – and, in some ways, still now,” DuVall said. “It definitely was the most rewarding thing I had ever done.”

And for many viewers, it meant even more. In the decades since its release, DuVall says fans have often approached her to share deeply personal stories. “People have said it gave them the courage to come out, and it made them feel comfortable, and it made them feel seen,” she shared. “That is so powerful, and it’s not true for everything you have the privilege of doing as an actor.”

Those emotional connections reflect why But I’m a Cheerleader has endured as a cultural landmark. It’s a movie that doesn’t just entertain – it affirms.

Behind the Scenes: The Magic of Friendship and Chemistry

Beyond the film’s social commentary, it was the on-screen chemistry between DuVall and Lyonne that added emotional weight to the film’s whimsical visuals. According to DuVall, that connection started off-screen.

The two were already friends before filming began, and in a twist of fate, Lyonne only ended up starring in the movie because she saw a draft of the script in DuVall’s car.

“She asked to read it, and then she wanted to audition,” DuVall recalled. The rest, of course, is queer cinema history. “There were a lot of fun memories – some things that I cannot share with PEOPLE magazine,” she joked, before turning serious. “But then I think of Natasha. She’s very special to me, and she’s such a special performer.”

DuVall described one particular scene – a quiet moment where Megan and Graham are washing dishes together – as one of her most cherished from set. “I remember just feeling maybe the most grounded and the most present I had ever felt in a scene before, in that moment with her.” “Those kinds of moments are the gold as an actor,” she added. “What I’m always striving for is just being able to exist in the scene… When you can just be present with someone, it’s really, really special.”

Legacy and Reunion

Since their unforgettable roles in But I’m a Cheerleader, DuVall and Lyonne have continued to collaborate. The pair reunited in 2016 for The Intervention, a comedy-drama written and directed by DuVall, which also featured Melanie Lynskey. More recently, DuVall played Lyonne’s sister in an episode of Poker Face, Lyonne’s hit mystery-comedy series on Peacock.

Their creative partnership – and deep friendship – continues to evolve, rooted in the chemistry that helped But I’m a Cheerleader become such a lasting part of queer pop culture.

A Cult Classic That Changed Lives

With But I’m a Cheerleader celebrating its silver anniversary on July 7, it’s not just fans who are reflecting on how much the movie meant – it’s the cast, too. The film’s mix of colorful satire and emotional sincerity helped change the way LGBTQ+ stories were told on screen, paving the way for the kinds of queer narratives we now see on platforms from Netflix to the big screen.

The film has also received renewed attention in recent years, especially as conversion therapy remains a real threat in many parts of the world. Its message – delivered with humor, heart, and a defiant queer spirit – remains painfully relevant.

DuVall hopes that the film continues to empower young people discovering it for the first time. “As an actor, you don’t always get to be part of something that makes people feel seen,” she said. “But this one did – and still does.”

Frankie Grande Announces Remix of ‘Hotel Rock Bottom’ Featuring Ariana Grande

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Frankie Grande is celebrating Pride – and his personal evolution – with a major family collaboration. The multi-talented performer just announced that the remix of his emotional track “Hotel Rock Bottom” will feature none other than his sister, pop icon and Oscar nominee Ariana Grande.

Taking to Instagram, Frankie shared the exciting news: “The Hotel Rock Bottom remix featuring my sister Ariana Grande will be out on Friday on my deluxe 🥹💗

This song is so personal to me, and having her on it makes it even more meaningful. Can’t wait for you to hear it!!”

The track will be featured on the deluxe edition of his debut album Hotel Rock Bottom, released in honor of Pride month. The album is deeply inspired by Frankie’s journey to sobriety—he marked eight years sober this year. “Had I tried to release an album while I was drinking and using, I probably would have never released it,” he told ITV News. “I’m grateful that I took my time and waited until my instrument was clean and pure, and I could tell the stories that I wanted to tell.”

The 42-year-old Broadway alum and social media personality – who has more than 2.5 million followers across Instagram and TikTok – is known for his roles in Rock of Ages, Mamma Mia!, and his reality TV stints on Big Brother and Big Brother: Reindeer Games. But Hotel Rock Bottom marks a new chapter for Frankie, one driven by creative authenticity and queer pride.

He recently celebrated the album’s release at London Pride, sharing how much the city and its LGBTQ+ community have meant to him: “It’s a beautiful place with so many people of different backgrounds,” he said. “The LGBTQ+ community has always been so accepted here, especially in music. I do think you have broken many queer artists here before the United States.”

Frankie also spoke candidly about the role his family has played in supporting both his sobriety and his identity: “I’m so blessed that I have such an amazingly accepting family who has allowed me to be my authentic self and supported me through some of the difficulties of being a public figure who is out, loud, and proud!”

When asked what advice Ariana gave him while working on the album, Frankie said she encouraged him to trust his instincts. “She’s been unbelievable throughout this process… I learned from her to trust your gut, and it will lead you on the path that you are supposed to go down.”

Ariana, who is currently starring in the film adaptation of Wicked, has long shared a close bond with Frankie. Their collaboration on “Hotel Rock Bottom” is expected to blend their shared passion for storytelling with a powerful, heartfelt sound.

Frankie’s husband of three years, actor and influencer Hale Leon, has also been a steadfast source of support throughout the creative journey. The couple was married in a Star Wars-themed ceremony in 2022, officiated by Frankie’s mom, Joan Grande. “I’m married to the man of my dreams,” Frankie wrote on Instagram after the wedding. “Our families have merged together so beautifully, and we are well on our way to happily ever after.”

Hotel Rock Bottom (Deluxe) drops this Friday, with the Ariana Grande remix as its centerpiece. The original album and singles like “Boys” and “Rhythm of Love” are streaming now.

Jonathan Bailey Talks Love, Dinosaurs, and ‘Slutty Little Glasses’ on ‘Chicken Shop Date’

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Jonathan Bailey may have played one of the most desired men in Regency-era London, but when it comes to real-life romance, even Lord Bridgerton himself admits it’s a bit more complicated.

The 37-year-old actor, currently promoting his summer blockbuster Jurassic World: Rebirth, sat down with Amelia Dimoldenberg for a new episode of the beloved YouTube series Chicken Shop Date. And between bites of chicken nuggets and playful banter, Bailey peeled back the layers of his heartthrob image.

Not a Romance Pro, Actually

When asked if playing the dashing Viscount Anthony Bridgerton helped him improve his love life, Bailey didn’t hesitate to bring the fantasy back to earth.

“It’s fantasy, isn’t it? Romance is grounded and real,” he said plainly, drawing a line between Netflix’s corset-clad courtships and the messier realities of modern dating. It’s a refreshing confession, especially from someone whose screen kisses have become GIFs shared across Twitter.

Casting Chaos and Spinster Slams

The flirtation flowed freely when Dimoldenberg asked Bailey if she’d fit into the Bridgerton universe. Though he joked he lacked casting power, he offered to “put in a word.” As for her role? Bailey teased she’d be “really uptight,” maybe even “a potential spinster,” prompting an exaggerated reaction from the unflappable host.

 

View this post on Instagram

 

A post shared by Amelia Dimoldenberg (@ameliadimz)

It’s all part of the show’s charm, awkward pauses, dry humor, and celebrities caught slightly off-guard in a chicken shop. And Bailey? He fit right in.

Jurassic Jumps and Internet Thirst

Bailey stars alongside Scarlett Johansson and Mahershala Ali in Jurassic World: Rebirth, where he plays Dr. Henry Loomis, one of the film’s undeniable highlights, according to early reviews. While reactions to the film itself have been mixed, critics agree: Bailey is a standout.

The Glasses Heard ‘Round the Internet

Of course, no Jonathan Bailey appearance is complete without talk of his now-iconic “slutty little glasses,” which became a viral obsession online. On Chicken Shop Date, the topic was impossible to avoid, and Bailey leaned in.

He’s even collaborated with eyewear brand Cubitts to create a limited edition pair of specs, with proceeds benefiting his LGBTQ+ nonprofit, the Shameless Fund. Talk about using fashion for a good cause.

Fans Already Calling It a Classic

With sizzling chemistry, heartfelt honesty, and a shared love of nuggets and chips, this date might just become one of the most memorable Chicken Shop sit-downs yet.

Jurassic World: Rebirth is out now in theaters. The full interview is streaming on Chicken Shop Date’s YouTube channel.

Tinder and Willy Chavarria Drop Bold Pride Capsule Madonna Couldn’t Resist

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Even though Pride Month has wrapped, Tinder and designer Willy Chavarria are keeping the celebration alive, and Madonna herself is taking note.

Pride Style That Pops

Tinder reunited with queer designer and activist Willy Chavarria for a special 2025 Pride capsule collection, serving bold looks and bold statements. The seasonal drop was inspired by the limited-edition sweatshirt that made its debut during Paris Men’s Fashion Week, a moment that married high fashion with unapologetic queer pride.

 

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A post shared by Tinder (@tinder)

The capsule includes wardrobe staples with a punch, featuring oversized cuts, gender-fluid silhouettes, and graphic slogans that center self-expression and queer empowerment. The limited collection builds on last year’s collab but dials up the energy with streetwear that actually says something.

Love Is the Label

Beyond the clothing, Tinder also reignited its in-app Pride sticker campaign, those brightly colored badges that let users proudly showcase their identity and support within the app. This year, they introduced a new sticker that reads, How We Love Is Who We Are, a message that aligns perfectly with both Chavarria’s ethos and Tinder’s ongoing commitment to LGBTQ+ visibility.

During Pride Month, every time a U.S.-based user added a Pride sticker to their Tinder profile, the platform donated $1 to the Human Rights Campaign. It was a simple swipe-right on advocacy.

Madonna Makes It Official

Need further validation that this collab is iconic? Madonna gave it her seal of approval. The Queen of Pop included the collection in a recent Instagram carousel celebrating Pride Weekend, where she posted moments with her children, music, dance, and a subtle shout-out to the collab.

 

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A post shared by Madonna (@madonna)

In her caption, Madonna wrote, “Pride Weekend allowed me to Have Fun and Celebrate my Love and support for the Queer Community as well as my Children and our Shared Love of Music and Dance.”

The cameo was brief but effective. With Madonna’s endorsement, the capsule joins the ranks of fashion moments that blend cultural relevance with genuine allyship.

Pride Doesn’t End in June

Tinder and Chavarria are reminding us that Pride is more than a month. It’s a movement, a mindset, and a mood you can absolutely wear on your sleeve.

So if you’re still riding the glittery high of Pride season, there’s no reason to come down just yet. Especially when Madonna’s dancing in the same sweatshirt.

Shop the collection on Willy Chavarria’s website.

Fire Island ‘Invasion’ Turns 50: Drag Royalty, Pool Parties, and a Tryst-Fueled Celebration for the Ages

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One of the most iconic queer celebrations in the country just hit a major milestone, and did it in full glam. Fire Island’s beloved July 4th tradition, The Invasion of the Pines, turned 50 this year, and Tryst Hospitality made sure the celebration was nothing short of legendary.

A Waterfront Takeover Worthy of Drag History

The day-long extravaganza stretched across the famed Fire Island Pines waterfront, including The Pavilion, The Blue Whale, The Canteen, and the sun-soaked Tryst Pool Deck. Orchestrated by Tristan Schukraft, CEO of MISTR and Tryst Hotels, the celebration honored the legacy of the Invasion while offering a preview of what’s to come with the highly anticipated debut of The Tryst Fire Island hotel.

And let’s be clear: this wasn’t just any party. This was a drag-studded spectacle befitting half a century of protest, pageantry, and pride.

Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Drag Queens From Around the Tryst Universe

Tryst Hospitality brought in queens from its glittering properties around the world, delivering a truly international showcase of charisma, uniqueness, nerve, and talent. The lineup included:

  • Mayhem Miller from The Abbey in West Hollywood

  • Misty Violet from The Chapel at The Abbey

  • Alyssa Hunter and Amalara Sofia from The Tryst San Juan

  • Pelayo from The Tryst Puerto Vallarta

  • Pixie Aventura, a Fire Island regular at The Pavilion and The Blue Whale

Leading the charge? None other than Panzi, the living legend who kicked off the very first Invasion back in 1976. With a microphone in hand and a legacy behind her, Panzi announced each queen’s arrival as ferry after ferry pulled into the harbor, delivering drag excellence by the boatload.

What started five decades ago as a response to a drag queen being denied service in the Pines has become one of queer culture’s most enduring acts of protest and joy. The Invasion continues to blend satire, spectacle, and resilience—and this year, it was bigger than ever.

Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Post-Invasion Pool Party and DJ Beats? Naturally.

The festivities didn’t end at the harbor. After the queens landed, it was time to head to The Tryst Pool Deck, where Violet Chachki brought her signature high-fashion edge to the post-Invasion pool party. From there, guests danced their way through Low Tea, High Tea, and a night of immaculate galavanting, with the Waterfront becoming a full-on runway of late-night revelry.

Throughout the day, drag icon Willam Belli was on the scene, capturing the best moments for @thepinesfireisland and giving fans an insider’s look at this once-in-a-generation celebration.

Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Fire Island’s iconic 'Invasion' turned 50 with drag queens, pool parties, and a glamorous takeover by Tryst Hospitality.
Photo: Santiago Felipe/Getty Images for Tryst Hospitality

Looking Ahead: The Tryst Era

With The Tryst Fire Island hotel on the horizon, Schukraft and team made it clear that this was more than a party, it was a promise. A new era of queer luxury, celebration, and community is on its way to Fire Island.

After 50 years, the Invasion shows no signs of slowing down. If anything, it’s evolving, just like the community it celebrates.

The ‘ZOMBIES 4’ Cast Settles the Camp Rock vs. Camp Star Debate

It didn’t take long for things to spiral into chaos—in the best way. “Do you know the Camp Rock 2 dance?” I asked, and before I could finish, Milo Manheim and Meg Donnelly jumped in their seats. “Boom, boom, boom, boom. Camp Rock.”

“This movie is also directed by the same director,” Manheim pointed out. “Paul Hoen!”

That energy captures exactly what fans can expect from ZOMBIES 4: Dawn of the Vampires, the latest installment in Disney’s hit musical saga. The ZOMBIES franchise has become a monster-sized success since the first film debuted in 2018, with each movie topping the charts for kids and tweens and racking up billions of music streams. Now, the fourth film brings all the music, dance, and feel-good chaos to summer camp—with fangs.

What ZOMBIES 4 Is All About

In ZOMBIES 4, Zed and Addison’s summer road trip takes a wild turn when they end up as camp counselors caught between two rival monster factions: Daywalkers and Vampires. With the help of old friends (hi, Eliza and Willa!) and some powerful new recruits, they try to unite the supernatural squads before a bigger threat emerges.

Naturally, since this one takes place at camp, we had to ask the cast about Camp Rock 2. The debate? Should Camp Star have won the Final Jam, or was Camp Rock robbed?

Settling the Final Jam Debate

“I remember being like eight years old… I have an allegiance to Mitchie and Shane and the whole gang,” Donnelly said. “So when they lost I was like, no. But deep down in my soul, I was like, they ate. They deserved that.”

“Same,” Manheim added. “I wasn’t like a ‘do you know how hard they worked?’ guy. I was more of a player guy—like fantasy football. I just wanted this one person to do well.”

Meet the New Vampires

Beyond the dance nostalgia and Disney lore, ZOMBIES 4 also introduces two new stars to the saga: Freya Skye as Nova and Malachi Barton as Victor, a pair of fierce monsters with serious presence.

Skye and Barton were clearly having a blast together—so much so that we asked them to swap roles and introduce each other’s characters.

“Hey, I’m Malachi Barton. I play Victor in ZOMBIES 4,” Skye said in a mock voice.

“That’s not what I sound like!” Barton protested, before taking his turn: “Hello, it’s Freya Skye here. My new song ‘Gold’s Gone’ just released… My character Nova is a very adventurous, very, very tough, brave girl. She has so many fight scenes and she just embraces the power of leadership and she just loves her family.”

The two also spoke about what it meant to join such a beloved franchise.

“It means so much,” Skye said. “ZOMBIES was a franchise that, when I was younger, really inspired me… working with the people who inspired me and being surrounded by such incredible people every day was just the most incredible thing.”

“A hundred percent,” Barton added. “I think that it’s such an important message in our day and age—coming together as one group, literally no matter what. I think all people can watch this movie and relate to it in some way.”

Music, Nostalgia, and the Return of “Someday”

Of course, no ZOMBIES movie is complete without music. And fans of the original films are in for a treat: both “Someday” and “Ain’t No Doubt About It” return—with new reprises.

“When ‘Ain’t No Doubt About It’ came to us, I was like, this has the potential to be a ‘Someday,’” Manheim said. “And it totally reached that potential.”

“I think the reprise in ZOMBIES 4 is probably the most special thing out of the whole franchise,” Donnelly added. “It’s really hard [to choose], but because of everything we’ve been through, it has to be ‘Someday.’”

And yes, there’s tap dancing. “We both be tapping,” Manheim said. “It’s something we connected on in the first movie.”

“We added a little dewy tapping in ‘Someday,’ and we reached its full potential,” Donnelly said. “It just felt right for that moment.”

So what do you get when you combine summer camp, Disney hot takes, dance battles, and vampire drama? A ZOMBIES movie that goes all in—and maybe even makes you cry a little.

“This is the best interview we’ve had all day,” Manheim said. “Thank you for letting us be the weirdest.”

The Disney Channel Original Movie ZOMBIES 4: Dawn of the Vampires premieres July 10 on Disney Channel, with streaming available the next day on Disney+.

Watch the full interview with the cast below.

Gigi Gorgeous and Nats Getty Split After Nearly 6 Years of Marriage

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After nearly six years of marriage and a highly public love story, Gigi Gorgeous and Nats Getty have officially ended their relationship. The couple, who married in 2019, confirmed their amicable split in a joint statement shared with People on July 2.

“Gigi Gorgeous and Nats Getty confirm they have amicably decided to part ways and officially file for divorce,” their rep shared. “While they have decided to end their marriage, they remain friends and have the utmost love and respect for each other.”

According to court documents obtained by TMZ, Getty cited “irreconcilable differences” and listed February 27, 2025, as the date of separation.

A Romance That Inspired Millions

Gigi Gorgeous (née Giselle Loren Lazzarato) and Nats Getty became a power couple within the LGBTQ+ community. Their whirlwind romance began in 2016, and they tied the knot in a lavish ceremony three years later. Throughout their relationship, they were candid about both their personal transformations and their desire to build a family.

 

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Gigi, 33, opened up about their IVF journey during the 2024 People’s Choice Awards, telling E! NewsLaverne Cox, “We have six embryos that are on ice, and we could technically have six kids tomorrow, which is crazy.” Ever the humorist, she quickly added, “I think we’re maybe gonna do, like, four kids tomorrow.”

Personal Growth and Shared Courage

For Nats, the divorce comes on the heels of several life milestones, including publicly coming out as transgender and non-binary in January 2021. In a heartfelt Instagram post shared at the time, the 32-year-old explained, “I have spent my entire life not in sync with the body I was born with… It wasn’t until recently that I was even comfortable admitting this to myself.”

 

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They also detailed their decision to undergo top surgery, describing it as something they had dreamed about for years. “I know it’s a privilege that I’m even able to move forward with this when for many it’s an impossible option due to their circumstance,” they wrote.

Their post ended with a message to others navigating gender identity and self-discovery: “There is no need to rush it. Allow yourself the time and space to find who you truly are.”

Parting, Not Breaking

Though their romantic chapter has ended, both Gigi and Nats continue to stand as examples of authenticity, resilience, and love, just in a new form. Their separation marks not a failure, but a turning point, rooted in mutual respect and a continued commitment to the LGBTQ+ community.