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Pete Buttigieg’s New Beard Is Out and So Are His Unfiltered Political Takes

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Pete Buttigieg may have stepped away from Washington, but he’s not staying silent.

The former U.S. transportation secretary and 2020 presidential candidate appeared on The Weekly Show with Jon Stewart podcast this week with sharp commentary, a newly scruffy look, and some clear warnings about former President Donald Trump’s chaotic economic policies.

Now teaching part-time and raising twin toddlers with husband Chasten, Buttigieg is relishing his post-Cabinet life—but he’s far from tuning out.

Life After the Cabinet (and Facial Hair Freedom)

“Pete, look at you with the scruff,” host Jon Stewart remarked as Buttigieg appeared on screen.

“You started it,” Buttigieg quipped back, explaining that after a family vacation, he decided to ditch the daily shave required in public office. The beard, he joked, is just one of the perks of no longer running a department with 55,000 employees.

“I guess I should feed the dog now,” he said of his new home routine.

Trump’s Tariff Chaos: “This Is Not a Game”

Shifting to serious topics, Buttigieg didn’t hold back when asked about Trump’s recent tariff moves—an erratic rollout that rattled global markets before being partially walked back.

“These are decisions that very quickly go to our everyday lives,” Buttigieg said. “Whether you’re hoping, as a construction worker, that a project is going forward near you, or you’re at the grocery store seeing prices rise—this is not a game.”

@weeklyshowpodcast

“They don’t view an honest discussion of policy as something they need to slow down and do.” We’re digging into the Trump team’s logic, or lack-there-of, with @Pete Buttigieg. #TheWeeklyShow #politics

♬ original sound – The Weekly Show Podcast

Referring to recent reporting that conservative economists discovered basic math errors in Trump’s tariff policy, he added: “That actually matters when trillions of dollars depend on what you do—and how you do it.”

He also emphasized what many overlook: “A tariff is a tax,” he reminded listeners. “And people are paying it.”

“This Is Chaotic On Purpose”

Buttigieg described the Trump team’s approach as not just messy—but intentional.

“There’s a logic here,” he explained. “If you make it completely chaotic, then the only organizing principle is the man himself. The more messy you make it, the more you get to the king.”

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“The only organizing principle is the man himself.” @Pete Buttigieg on how Trump exploits chaos and an absence of accountability to consolidate power. #TheWeeklyShow #politics

♬ original sound – The Weekly Show Podcast

He called it a “terrible way to make policy” and “terribly unfair,” slamming the lack of accountability that comes with governing by personality rather than facts.

“If you think you can just beat your chest and say it’s all fake news, then why bother checking your math or confirming your targets before implementing policy?” he said.

On the Signal Scandal: “Highest Level of Foul-Up Imaginable”

Buttigieg also weighed in on reports that Trump-era officials coordinated military activity in an unsecured Signal group chat—and accidentally included a journalist.

“These people cannot keep America safe,” he wrote in a viral Instagram post earlier this week. On Stewart’s podcast, he elaborated: “They sent battle plans to the wrong guy on the wrong text app… then they slap a tariff on an island with penguins.”

 

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“These screwups don’t lead to introspection. That’s what’s terrifying.”

Looking Ahead—But Not Ruling Out a Return

Now back in Michigan, Buttigieg is spending more time navigating twin toddler tantrums than policy briefings—but speculation about his political future remains.

He has publicly declined to run for Michigan’s open U.S. Senate seat or the governor’s race, sparking questions about a possible 2028 presidential bid.

In the meantime, he’s stopping by construction projects funded during his time as Secretary of Transportation and enjoying a slower pace—beard and all.

“But all of us are still very, very alarmed about what’s happening in the country,” he said. “You can’t tune it out.”

Pablo Alborán Joins Netflix’s Breathless Season 2 in Sizzling Acting Debut

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Spanish pop icon Pablo Alborán is trading the recording studio for the ER—and he’s already raising heart rates.

The Grammy-nominated singer is officially joining the cast of Netflix’s hit Spanish-language medical drama Breathless (Respira) for its highly anticipated second season. With Elite star Manu Ríos returning to lead the series, producers are dialing up the drama—and the thirst—by casting Alborán in a role that marks his first-ever on-screen acting gig.

 

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From Pop Charts to Plastic Surgery

Alborán, 35, is no stranger to the spotlight. With six studio albums under his belt and over two dozen Latin Grammy nominations, he’s long been a household name in the music world. Now, he’s diving headfirst into scripted television with a role that will have fans doing double takes.

Netflix teased his involvement back in December with a cryptic photo of the “Solamente Tú” singer suited up in hospital scrubs. Now, it’s been revealed that Alborán will portray an emergency room plastic surgeon at the fictional Joaquín Sorolla Public Hospital—a character who, naturally, gets caught up in the series’ signature mix of medical emergencies and steamy drama.

In an interview with Billboard, Alborán admitted he was both thrilled and stunned by the opportunity.

“Acting has always intrigued me, but I had never taken the leap,” he said. “When I was offered the role, my family couldn’t believe it. ‘Are you sure?’ they asked. I was asking myself the same thing.”

Behind the Scenes With Manu & Pablo

Filming has officially wrapped on Season 2, and Alborán gave fans a sneak peek into his experience on set with a carousel of behind-the-scenes photos shared to Instagram. One photo, featuring a smoldering moment alongside co-star Manu Ríos, sent fans into a frenzy.

 

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“The face. The brows. The scruff. This is a medical emergency!” one fan joked online.

The singer-turned-actor also posed with cast members including Xoán Fórneas, Najwa Nimri, Aitana Sánchez-Gijón, Alfonso Bassave, Borja Luna, and Blanca Suárez. “Thank you ❤️ #Breathe2,” Alborán captioned the post.

Real-Life Prep for a Fictional Role

To get into character, Alborán immersed himself in the medical world by shadowing real doctors and observing surgeries. The experience, he said, resonated deeply with him.

“I had just gone through a very difficult situation with a family member’s health,” he shared. “Being surrounded by doctors allowed me to see things from a different perspective. It all came together to bring more authenticity to the character.”

While specific details about his character’s romantic entanglements—or sexual orientation—haven’t been revealed, fans are already buzzing with speculation. With Breathless known for its steamy subplots and queer-forward storytelling, hopes are high for more LGBTQ+ representation on screen.

Breathless—and Booked

Though filming has ended, Alborán isn’t slowing down anytime soon. Just two weeks ago, he released “Clickbait,” the first single from his upcoming album due in November, and he’s already mapping out a 2026 world tour.

“I am very sad that filming is over, but I will take away unforgettable moments in my heart,” he wrote in a heartfelt goodbye to cast and crew.

As for when Season 2 of Breathless will hit Netflix? That premiere date remains under wraps. But with Pablo Alborán scrubbing in alongside Manu Ríos, one thing’s certain—viewers are in for a pulse-raising second season.

Erika Jayne Opens Up Saying She Has ‘No Idea’ If Garcelle Beauvais Friendship Can Be Repaired After RHOBH Exit

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Erika Jayne may have fallen short of winning The Masked Singer Season 13, but she walked away with something arguably more valuable: a renewed connection to her craft—and a candid perspective on her often-complicated relationships, including her fractured friendship with former Real Housewives of Beverly Hills co-star Garcelle Beauvais.

Jayne, 53, was unmasked on the Wednesday, April 9 episode of the popular Fox series after performing under the guise of “Yorkie,” a sparkly, energetic costume that matched the performer’s larger-than-life persona. She sang The Supremes’ “Stop! In the Name of Love” and Otis Redding’s “Hard to Handle” in a Battle Royale against Nessy but narrowly missed out on joining the season’s “Lucky Six.” “It was my goal every night to get out there and fully inhabit the Yorkie,” Jayne told PEOPLE following her elimination. “I did it from the moment I stepped in the costume to the moment I took it off.”

While the experience allowed the singer, actress, and reality star to lean into her passion for performing, it also gave her a rare opportunity to step back from the scrutiny she’s faced in recent years—and reflect on both her personal growth and her evolving relationships, including the tension with Beauvais.

Anonymity, Joy, and a Return to the Stage

Jayne described her time on The Masked Singer as creatively liberating. Behind the mask, she says, she was free to perform without being weighed down by public expectation or personal drama.“I felt really free behind the mask and inside the costume,” she said. “It was pure fun—something I hadn’t felt in a long time.”

Erika Jayne as Yorkie in 'The Masked Singer' season 13. Photo: Michael Becker/FOX
Erika Jayne as Yorkie in ‘The Masked Singer’ season 13. Photo: Michael Becker/FOX

Performing songs outside her usual repertoire, including “Step by Step” by New Kids on the Block, Jayne said she welcomed the chance to explore new musical styles. Though the costume was physically challenging—layered, hot, and topped with a nearly eight-pound mask—she leaned into the experience with enthusiasm. “The costume made the personality come to life,” she explained. “I was able to fully commit to being this adorable Yorkie, and that was part of the magic.”

Real Housewives Tension and a Friendship on Pause

While her time on The Masked Singer offered a welcome creative outlet, Jayne hasn’t been able to escape ongoing questions about her personal life, particularly her strained dynamic with Garcelle Beauvais. The former friends and castmates exchanged sharp words earlier this year after Beauvais announced her departure from The Real Housewives of Beverly Hills and made pointed remarks about Jayne on Watch What Happens Live. “Listen, people have to do what’s right for themselves,” Jayne said. “As far as my response, I was reacting to what she said—‘F— Erika’—the week before. So I gave my response.”

Jayne’s clapback drew attention from Bravo fans and reignited speculation about whether their friendship is beyond repair. “Do I think our relationship can be repaired? I have no idea,” she admitted. “That’s something only time—and maybe circumstance—will reveal.”

She didn’t rule out the possibility of Beauvais returning to RHOBH as a friend of the cast or re-entering the franchise in some capacity. “That’s certainly an option,” Jayne said, leaving the door open. “We’ll see how it plays out.”

Erika Jayne and estranged husband Tom Girardi. Photo: Bravo
Erika Jayne and estranged husband Tom Girardi. Photo: Bravo

The once-strong friendship between Jayne and Beauvais began to unravel during their shared time on RHOBH, with public feuds and on-screen tensions fueling fan speculation. For Jayne, the drama has been both professional and deeply personal, especially during her ongoing legal and emotional challenges stemming from her divorce from former attorney Tom Girardi.

Guarding Her Heart and Moving Forward

Jayne’s final clue package on The Masked Singer referenced emotional resilience and the importance of self-protection—an open nod to the personal turmoil she has endured since filing for divorce in 2020 and becoming embroiled in Girardi’s legal scandals. “Going through what I’ve gone through in public and personally, I think that I’ll always protect my heart,” she said. “It’s not about being closed off—it’s about being careful.”

Despite the chaos, Jayne said she’s focused on rebuilding, step by step, and that music and performance remain central to her identity. “I’m always creating,” she said. “I’ll be performing at London’s Mighty Hoopla festival in June. Maybe I’ll go back to Broadway—you never know.”

A Career Beyond the Headlines

Jayne’s tenure on The Real Housewives of Beverly Hills has shaped her public image, but she remains driven by her artistic roots. The Pretty Mess singer has toured internationally, released dance-pop hits, and appeared on Broadway—all of which she plans to continue. “Reality TV is what people most associate me with these days,” she acknowledged. “But what I’ve felt this year, more than anything, is support from people who are watching me reclaim my life and find peace again.”

The Takeaway from The Masked Singer

While Jayne didn’t take home the Golden Mask Trophy, she said her time on the show was exactly what she needed: a chance to perform with joy, explore new artistic territory, and step away from the noise. “I’m not disappointed at all,” she said. “I did what I came to do, and I had an amazing time doing it.”

As for what’s next, Jayne is keeping her options open—but one thing is certain: whether on stage, on television, or in the recording studio, she’s not done telling her story. “This year has been about taking control, leaning into the things I love, and moving forward,” she said. “Whatever happens next, I’m ready for it.”

Cynthia Erivo Announces New Album I Forgive You, Teases Heartfelt New Era

Cynthia Erivo is trading broomsticks for ballads with the announcement of her highly anticipated sophomore album, I Forgive You, set for release on June 6. While she continues to wow audiences as Elphaba in Wicked and Wicked: For Good, the Tony, Grammy, and Emmy Award winner is proving once again that her talents are anything but one-note.

With a voice as powerful as her presence, Erivo is ready to pour her heart into a new chapter—one filled with emotional storytelling, vulnerability, and personal growth.

A New Era Begins

Erivo announced the project on social media Thursday, giving fans an emotional peek behind the curtain. “I Forgive You, my second album, will be out June 6th,” she wrote. “Over the last 2+ years, between all the flights, the filming, the interviews, and the awards shows, I went to the studio with my dear friend Will Wells and created this project for you and me.”

 

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She went on to describe the album as a deeply personal body of work. “This album, this collection of songs, is something I’m so proud to share with you,” Erivo added. “First with ‘Replay,’ and now with ‘Worst of Me.’ I gave you one chapter with the first album, and now I have a couple more for you.”

From Stage to Studio

Though Erivo is captivating the big screen in one of the most iconic musical roles of all time, she’s no stranger to the recording studio. Her debut album Ch. 1 Vs. 1 gave fans an intimate look into her inner world—and I Forgive You promises to dig even deeper.

Back in February, Erivo released the album’s lead single, “Replay,” teasing the emotional depth that fans can expect. “If you know me, you know it’s pour-my-heart-out time,” she wrote in a previous post. “Music is my love. Music is my second language… Over the next few months you are going to get pieces of my heart.”

Now, she’s following it up with a second track, “Worst of Me,” which drops Friday, April 11.

A Message for the Heart-Full and the Heartbroken

Erivo’s words surrounding the album have already struck a chord with her fans—particularly those seeking comfort in their own healing journeys.

“For my sweethearts who are in their heads. For the babies whose thoughts are sometimes too loud. For my anxious angels. For all of you who are trying to work it all out. We are all a work in progress,” she wrote. “This is for you. For us.”

The messages are clear: self-love, forgiveness, and growth are front and center on I Forgive You. And in true Cynthia fashion, it’s wrapped in rich vocals, emotional honesty, and a whole lot of soul.

Fans can pre-save I Forgive You now on all major streaming platforms. With the album officially dropping on June 6, and “Worst of Me” available Friday, April 11, Erivo is inviting everyone to come along for the ride—messy feelings, healing anthems, and all.

 

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Los Angeles LGBT Center to Close West Hollywood Clinic After Nearly a Decade of Service

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The Los Angeles LGBT Center has confirmed plans to close its Center WeHo clinic, a long-standing health facility in the heart of West Hollywood. After nearly a decade at its current location at 8745 Santa Monica Blvd, the clinic is expected to shut its doors in June, according to a source with direct knowledge of the decision.

While the official closure date has not yet been publicly announced, the Center informed employees of the upcoming changes in an internal announcement made last week.

The decision to close the Center WeHo clinic stems from a range of operational and logistical issues, including escalating costs and ongoing infrastructure limitations. Among the contributing factors cited are building management challenges, lease issues, safety and security concerns, parking constraints for both patients and staff, and visibility difficulties at the location that reportedly limit the clinic’s accessibility to new patients.

“The reality is that the West Hollywood area is already well-served by other health organizations offering similar services, including sexual health testing and PrEP access,” one employee shared, speaking on the condition of anonymity. “That made it harder to justify the ongoing expense of maintaining this particular facility, especially with all the additional burdens we’ve been navigating.”

The clinic, which is located above Schmitty’s Bar, opened in October 2015 with the mission of delivering inclusive, stigma-free sexual health care and HIV prevention resources to the LGBTQ community. Over the years, Center WeHo has become a trusted provider of no-cost HIV and STI testing, treatment, and prevention services such as PrEP (pre-exposure prophylaxis) and PEP (post-exposure prophylaxis). Additional services include vaccinations for hepatitis A and B, HPV, condom distribution, and partner notification assistance. The clinic also helps uninsured patients access financial aid and coverage options for their health needs.

Yet despite its longstanding role in the community, the Center faced mounting financial and political headwinds. In addition to structural and logistical issues, a broader shift in the funding landscape has posed new challenges. Sources close to the organization say that a freeze on federal funding under the Trump-era executive order affecting government contracts has had a lingering impact on community health providers, including the Los Angeles LGBT Center.

“Cost of care delivery is going up, while support from public institutions is going down,” the employee said. “It’s not sustainable unless there’s a serious reinvestment in LGBTQ health infrastructure.”

The closure reflects a larger recalibration of services across the Center’s expansive network. With nearly 800 employees, the Los Angeles LGBT Center operates one of the most robust portfolios of LGBTQ-specific services anywhere in the world. The organization remains committed to preserving jobs during the transition and is currently working to relocate impacted Center WeHo employees to other facilities, primarily the flagship campus in Hollywood.

Union representatives are reportedly involved in ongoing conversations with the Center’s leadership to ensure workers are supported during the move.

Despite the closure of this satellite location, the Center emphasized that its broader mission and commitment to the LGBTQ community remains unchanged. Since its founding in 1969, the Los Angeles LGBT Center has grown into a global leader in queer and trans advocacy, offering programs and services across four pillars: Health; Social Services and Housing; Culture and Education; and Leadership and Advocacy.

From health care access and housing for LGBTQ youth, to arts education and policy reform, the Center serves more LGBTQ people than any other organization in the world. Its continued work spans across Los Angeles County and extends to global partnerships focused on human rights, equity, and community-building.

The closure of the Center WeHo facility may mark the end of a chapter, but Center officials insist that their fight for equality, safety, and well-being for LGBTQ individuals is far from over.

“This is not a retreat from the community,” the source emphasized. “It’s a strategic shift to ensure that we can keep delivering quality care and expanding where it’s most needed. That’s how we continue to lead, even in difficult times.”

West Hollywood, a historic hub of LGBTQ activism and community life, will still have access to a range of health and wellness services through other nonprofit and public health providers. However, the absence of Center WeHo is expected to be felt by long-time patients and supporters who have relied on its free and confidential services.

The Los Angeles LGBT Center has not yet issued a formal public statement about the clinic’s closure, but updates are expected in the coming weeks as transition planning continues.

In the meantime, patients currently receiving care at Center WeHo are encouraged to reach out to the Center’s Hollywood campus or visit the organization’s website for guidance on how to maintain continuity of care during and after the transition.

As June approaches, the community will bid farewell to a facility that has played a vital role in West Hollywood’s LGBTQ health landscape. Still, the Center’s leadership remains focused on the future—one where every person, regardless of gender or sexuality, can access care with dignity and pride.

Trixie Mattel and VINCINT Reimagine RuPaul’s ‘Supermodel’ Ahead of Coachella Performance

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Drag icon Trixie Mattel and genre-defying pop artist VINCINT are joining forces for a bold and energetic reimagining of one of drag culture’s most iconic anthems. The duo will release a cover of RuPaul’s classic hit “Supermodel (You Better Work)” on April 11 via PEG Records, just ahead of their highly anticipated joint performance at Coachella 2025.

The release marks a dynamic fusion of two powerhouse performers with deep roots in queer artistry and musical innovation. The track arrives just one day before Trixie’s DJ set at The Do Lab stage on April 12 during the first weekend of the famed music and arts festival.

A Legendary Collaboration

Speaking about the collaboration, Trixie Mattel expressed both reverence and excitement. “On top of this song being one of the best to get the gays losing their minds on the dancefloor, I feel a special personal connection to both it and RuPaul, for obvious reasons,” she said in a statement Tuesday. “And to bring it to life with VINCINT? Bitch, it’s so on. All my respect to the icon VINCINT and the legend RuPaul.”

The revamped track promises to celebrate the spirit of the original while bringing a modern flair, powered by VINCINT’s distinctive vocals and Trixie’s signature pop flair. Known for her wit, musicality, and eye-catching aesthetics, Trixie has made a career of blending drag performance with mainstream entertainment — and this latest release is another step in her ever-evolving journey.

 

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VINCINT, whose work has spanned pop, dance, and soul, echoed the excitement. “Supermodel is such an iconic song to be covering. RuPaul is such an honor. I’m so excited about it,” he said. “I ran into Trixie backstage at the OUT 100. I had just gotten off stage and she was running to DJ and ran the idea by me. I thought it was the most incredible thing — and from the first bounce we got from the studio, I was in love with it. I’m still in love with it! I’m so excited to be performing it with her at Coachella. I’m so excited for the world to hear it.”

Coachella and the “Solid Pink Disco” Tour

The collaboration also fits seamlessly into Trixie’s current 2025 global tour, Solid Pink Disco, a neon-drenched, high-energy spectacle that’s captivating audiences around the world. Her Coachella DJ set, where she and VINCINT will debut “Supermodel” live, falls squarely in the middle of the tour’s North American leg.

 

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“This year’s iteration of my worldwide dancerie Solid Pink Disco will be more solid, more pink, and more disco,” Trixie teased. “At a time where the world needs to party in the face of the patriarchy, we WILL be putting on cheap wigs and spinning around to Diana Ross, okay darling?”

The tour has been lauded not only for its infectious energy and dazzling visuals, but also for its unifying message of joy, resistance, and queer celebration. Fans are encouraged to dress the part — with pink outfits and blonde wigs as unofficial dress code staples — and come ready to dance.

Cementing a Pop Culture Legacy

Trixie Mattel has been a constant force in the entertainment industry since winning RuPaul’s Drag Race All Stars Season 3. But her reach extends far beyond the drag stage. With multiple Billboard-charting albums, best-selling books, a popular podcast, a cosmetics empire, and a widely viewed YouTube series, Trixie has grown into a multifaceted media brand with global influence.

She’s also known for her uncanny ability to blend camp and sincerity — a hallmark of queer performance — and her approach to music is no exception. Whether she’s covering country classics or remixing dance floor bangers, Trixie continues to push the boundaries of what drag music can sound like.

VINCINT, too, brings a rich artistic pedigree to the collaboration. Best known for his soaring vocals, emotive songwriting, and barrier-breaking visibility as a Black queer pop artist, he’s earned acclaim for singles such as “Be Me,” “Hard 2 Forget,” and “Save Myself.” His presence in the project brings additional musical credibility and cultural weight.

A Celebration of Queer Icons and Legacy

“Supermodel (You Better Work),” originally released by RuPaul in 1992, has long been considered an essential anthem in queer pop history. Its release marked a turning point in the mainstream visibility of drag culture and remains one of RuPaul’s most recognizable songs. With this new version, Trixie and VINCINT pay homage to a trailblazer while injecting their own bold artistry into the mix.

As anticipation builds for Coachella, fans are already buzzing online, eager to see how the duo will transform the iconic song for a live festival audience.

The single will be available across all major streaming platforms starting April 11. Whether you’re dancing in the desert or streaming from home, this collaboration is poised to be a highlight of the spring music season.

Tennessee Far Right Pastor Says That The ‘Gay Beam’ Airport Scanner will Apparently Make Him Gay

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Andrew Isker, a right-wing Christian nationalist podcaster, has recently attracted attention for his unconventional views on airport security measures and his interpretation of Christian nationalism. In a recent podcast appearance, Isker expressed concerns about the potential effects of airport body scanners, suggesting they might influence one’s sexual orientation.

Concerns Over Airport Body Scanners

During a podcast with co-host C. Jay Engel, Isker questioned the necessity of the Patriot Act, enacted in 2001, and expressed discomfort with airport body scanners. He stated, “​I had to be molested at the airport to go to Florida, right, just to get on an airplane, just because I’m not going to go through the ‘gay beam’ machine.Isker further recounted advising Engel against using the scanner, saying, “​I said, ‘You’re getting patted down, too, buddy. I don’t want them turning you gay.’“​

It’s important to note that modern airport body scanners utilize millimeter-wave technology, which creates a generic outline of the body, highlighting areas that may require further screening. These images are not detailed and are reviewed by security personnel in private settings to address privacy concerns.

Past Controversial Statements

This incident is not isolated in terms of Isker’s controversial remarks. He has previously voiced opinions that have drawn criticism. In a discussion about the term “Judeo-Christian,” Isker remarked that the United States is a nation belonging solely to Jesus, stating, “​This country belongs to Jesus. He is God. This is his; not any other people but his people.He further added that Jews should not have a “seat at the table” in American governance, suggesting such inclusion undermines the exclusivity of Christ.

Additionally, Isker has co-authored a book on Christian nationalism with Andrew Torba, the CEO of Gab, a social media platform known for hosting controversial content. The book outlines their vision for a society governed by Christian principles, advocating for the establishment of a theocratic system.​

Public Reaction and Criticism

Isker’s statements have elicited a range of reactions from the public and various organizations. Civil liberties groups have expressed concern over the implications of his views on governance and societal structure, emphasizing the importance of religious pluralism and separation of church and state. Critics argue that such perspectives could marginalize non-Christian communities and infringe upon individual freedoms.​

Furthermore, Isker’s comments about airport security measures have sparked discussions about privacy and personal boundaries. While some share his discomfort with invasive security procedures, others view his remarks as an overreaction, highlighting the need for effective security measures in the context of global threats.​

The Balance Between Security and Privacy

The debate over airport security protocols is longstanding, with travelers expressing concerns about the invasiveness of certain screening methods. In 2010, the introduction of full-body scanners led to public outcry, with some passengers opting out of scans in favor of pat-downs, which were perceived as less intrusive. Homeland Security Secretary Janet Napolitano defended the scanners, stating that abandoning them would be “irresponsible.”​

The challenge lies in balancing the need for security with respect for individual privacy rights. As threats evolve, so too must security measures, but it’s crucial that these measures do not disproportionately infringe upon personal freedoms.

Emira D’Spain Makes History as First Trans Cast Member on Bravo with Next Gen NYC

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Emira D’Spain is no stranger to breaking barriers, and now she’s making Bravo history. After becoming the first Black trans woman to model for Victoria’s Secret, D’Spain is adding another milestone to her résumé: she’s officially the first trans person to join Bravo as a full-time cast member, starring in the network’s upcoming reality series Next Gen NYC.

Known online as @XOXOEMIRA, D’Spain is a content creator, beauty expert, and social media force to be reckoned with, boasting a large following across TikTok and Instagram. Now, she’s ready to bring her charisma and ambition to television screens in Bravo’s latest unscripted show.

Who Is Emira D’Spain?

Born in the United Arab Emirates and raised in Dallas, D’Spain is 28 years old and a graduate of New York University, where she earned a degree in Marketing and Communications. Her career has been on a steady rise ever since. She famously turned a beauty internship into a full-time role as beauty director at Paper magazine—while also building a name for herself as a trendsetting influencer in the fashion and beauty space.

Now, she’s stepping into a new role: reality TV star.

What Is Next Gen NYC?

Bravo’s Next Gen NYC is a fresh take on the network’s long-standing legacy of drama, friendship, and aspirational living. The show follows a group of twenty- and thirty-somethings navigating relationships, careers, and city life with cameras in tow.

While many cast members are the now-grown children of Real Housewives stars, D’Spain brings something different to the table—her own story, hustle, and magnetic presence.

“Emira has hustle in her DNA,” Bravo said in a press release. “Born in Dubai and raised in Dallas, she turned her NYU degree and a killer internship into a coveted role as Paper magazine’s beauty director. Now, she’s thriving as one of New York’s most successful content creators.”

And yes—there will be drama.

D’Spain teased her upcoming TV debut with a promotional image on Instagram, captioned, “Time to be messy… 👀.” While she’s known for staying above the fray, her Next Gen NYC bio hints at some shakeups this summer: “She usually stays above the drama, but this summer, balancing romance and friendship loyalties might disrupt her perfectly planned hustle.”

 

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Translation: Emira might be stepping into some real Bravo-worthy chaos—and we’re here for it.

A Historic First for Bravo

D’Spain’s casting marks a historic moment for the network, making her the first trans person to appear as a full-time cast member on any Bravo series. It’s a significant step toward greater inclusivity in mainstream reality TV, especially on a network known for shaping pop culture with shows like The Real Housewives, Below Deck, and Vanderpump Rules.

With her unique background, unapologetic confidence, and polished aesthetic, D’Spain is poised to be a standout on Next Gen NYC—and a trailblazer for more inclusive representation in reality TV.

Next Gen NYC premieres Tuesday, June 3, on Bravo. And if Emira D’Spain has anything to say about it, things are about to get very interesting.

JoJo Siwa Calls Out Mickey Rourke’s Homophobic Comments on Celebrity Big Brother

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Mickey Rourke’s time on Celebrity Big Brother hit a serious snag after comments he made to JoJo Siwa sparked outrage. The actor and former boxer, known for his roles in films like The Wrestler, reportedly made insensitive and homophobic remarks towards the queer pop star, leading to a formal warning from producers.

The tension unfolded during a heated exchange between Rourke and Siwa, where the Karma singer explained she was attracted to girls and currently in a relationship with her non-binary partner, Kath Ebbs. Things took a bizarre turn when Rourke allegedly told Siwa, “If I stay longer than four days, you won’t be gay anymore.”

Siwa, unfazed, responded, “I can guarantee I’ll still be gay, and I’ll still be in a very happy relationship.” The young star’s response didn’t seem to deter Rourke, who later made troubling comments to other contestants, reportedly saying he wanted to “vote the lesbian out real quick,” which Siwa overheard. She called his words “homophobic, if that was your reasoning.”

However, the situation escalated when Rourke allegedly used a derogatory slur, saying, “I need a f*g,” before heading to the smoking area. He also reportedly made a gesture towards Siwa, adding, “I’m not talking to you.” This led to an official reprimand from Celebrity Big Brother producers, who informed Rourke that his language was “offensive and unacceptable” and warned him that any further incidents could result in his removal from the house.

 

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Rourke did offer an apology, downplaying the incident. “I don’t have dishonorable intentions,” he said. “I’m just talking smack, you know. I wasn’t taking it all so serious. I didn’t mean any bad intentions, and if I did, sorry.”

Unfortunately for Rourke, this isn’t his first controversy involving homophobic language. Back in 2009, he faced backlash after using the F-slur when speaking to a journalist, famously saying, “I don’t really give a f*ck.” He also made headlines in 2016 for defending boxer Manny Pacquiao’s anti-gay remarks, although he attempted to downplay his own position by saying, “I got a lot of gay friends. I’m a little bit gay myself,” before kissing a nearby man.

Despite his apology, viewers of Celebrity Big Brother aren’t buying it. Many are calling for Rourke’s removal from the show, with some questioning how long he will last given the intense atmosphere in the house. On the other hand, Siwa has been praised for handling the situation with grace and continuing to be a vocal advocate for the LGBTQ+ community.

As the drama unfolds, it’s clear that Siwa’s resilience in the face of Rourke’s comments has earned her support from fans and fellow contestants alike. Meanwhile, Rourke’s future on the show looks uncertain—especially when you consider the blossoming friendships in the house, including Danny Beard’s unexpected bond with former Member of Parliament Michael Fabricant.

Viewers will have to tune in to see what happens next. But one thing is clear: if Rourke continues down this path, his stay on Celebrity Big Brother could be short-lived.

Benito Skinner Dishes on College Must-Haves, Coming Out, and Why Disney Adults Are His New Obsession

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Comedian, actor, and writer Benito Skinner is known for his sharp comedic timing, uncanny character work, and a closet full of wigs—but in a recent interview with Flaunt Magazine, the creator of the upcoming series Overcompensating opened up in a surprisingly candid (and still hilarious) conversation about college essentials, coming out, and the quirks that still bring him joy—including, yes, “Disney Adults.”

When asked to list his college must-haves, Skinner didn’t miss a beat. “Fake ID,” he deadpanned. “Well, I know all the straight guys are bringing grey sheets, so there’s nothing I can say to stop ya.” He added condoms to the list, quipping with signature flair: “Safe sex is the best sex!”

 

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The self-aware humor is classic Skinner, who rose to fame with viral sketches and characters that lampoon everything from wellness influencers to East Coast elite. But the heart of his interview, and of Overcompensating, goes deeper than punchlines—it’s a layered look at identity, performance, and the vulnerable journey toward authenticity.

Reflecting on his college days at Georgetown, Skinner was asked what advice he’d give his freshman-year self. “I know why you’re not coming out, but I do think you should,” he said, his voice equal parts tender and bold. Then, with a laugh, he added, “You’ll never be able to handle alcohol like this again,” reminiscing on the time he downed eight shots of Burnett’s Vodka—a college classic for all the wrong reasons.

 

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“Overcompensating” Premieres with a Message

Skinner’s new series, Overcompensating, is as personal as it is hilarious. At its core, the show is a sharp, deeply felt exploration of identity—how we perform it, how we suppress it, and what happens when our true selves start knocking. For the show’s main character, Benny, the moment of reckoning includes a crush that can’t be ignored, vomiting up beta fish at a Charli XCX concert, and the kind of friendship that calls you out and holds you close all at once.

“I hate to call ‘being in the closet’ a lie, because I don’t think that’s what it is,” Skinner told Flaunt. “It’s something bigger than that.” For Skinner, performance isn’t deception—it’s longing. “We all just want to be loved so desperately,” he says, his words landing with a sincerity that’s tough to shake.

The series also spotlights a dynamic rarely explored with such nuance: the sibling relationship. Benny’s sister Grace—played by Skinner’s real-life best friend and comedic partner Mary Beth Barone—is the first to truly see Benny. “I was really inspired by this idea of someone who had gone to college and completely rewritten who they were for someone else,” Skinner said. Coming out, for him, wasn’t a single triumphant moment. “It’s the most complicated thing I’ve ever done in my life, and I still feel weird about it.”

Inspired by Women, Obsessed with Disney Adults

Skinner credits the women in his life and comedy legends like Kristen Wiig, Maya Rudolph, and Amy Poehler as foundational to his voice and vision. “Women are just so much funnier than men,” he proclaims. “I can’t even believe we let men do comedy.”

That admiration shines through in Overcompensating, which, in many ways, is a love letter to the women who saw and accepted him—starting with his godmother, the inspiration behind the character Carmen. “She just sees me and loves exactly who I am. I don’t have to do anything for her,” he says.

But when Skinner isn’t writing or shooting scenes, his downtime is delightfully relatable. Feeling tired or sad? He grabs a coffee and scrolls TikTok. Lately, he’s hooked on a very specific genre of content: “Disney Adults,” he gleefully admits. “Disney Adults, THAT’S for adults!” he laughs, with genuine admiration.

 

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As Overcompensating gears up for release, Skinner’s fans can expect a series that’s as hilarious as it is heartfelt, full of the kind of humor that hits a little too close to home—and the kind of truth that sticks with you.