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Beyoncé’s Cowboy Carter Tour Recap: Everything You Need to Know Before You Go

Beyoncé is officially back in the saddle — and she’s taking fans on a powerful, three-hour journey through country, soul, and Renaissance pop.

On April 28, Queen Bey kicked off her Cowboy Carter and the Rodeo Chitlin’ Circuit Tour at SoFi Stadium in Los Angeles, setting the tone for what’s already shaping up to be one of the year’s most epic concerts.

Here’s everything you need to know if you’re heading to the show (or just want to live vicariously through the internet).

39 Songs. 3 Hours. 1 Legend.

Beyoncé’s setlist is no joke — she performed 39 songs across nearly three hours, blending Cowboy Carter deep cuts with fan-favorite anthems from Renaissance, Lemonade, and beyond. (And yes, that’s counting a few incredible mash-ups).

Expect to hear:

  • Ameriican Requiem
  • Texas Hold ‘Em
  • 16 Carriages
  • Formation
  • Crazy In Love
  • Cuff It
  • Diva
  • Jolene
  • Freedom
  • and so many more.

Major Highlights

The Opening:

The night officially kicked off at 8:15 p.m. with performers in flowing red robes setting the stage, as the energy inside SoFi Stadium hit a fever pitch.

Mechanical Bull Moment:

Beyoncé rode a mechanical bull during Tyrant, channeling pure rodeo queen energy.

Red Car Sky Ride:

During 16 Carriages, Beyoncé sat in a red car and flew over the audience, soaring across the stadium while delivering one of the show’s most emotional moments.

Family Cameos:

Rumi Carter, now 7 years old, made a heart-melting appearance during Protector.

Big sister Blue Ivy Carter, 13 years old, returned to the stage numerous times, including an epic dance break during America Has A Problem, reminding everyone she’s been that girl since her first cameo on the Renaissance Tour.

Iconic Crowd Sightings:

Even Oprah was spotted in the audience — just another reminder that this is the event to be at.

A Deeper Story

This isn’t just a concert — it’s a bold statement.

Before diving into Cowboy Carter’s anthems, Beyoncé, dressed in a stunning white leather outfit and cowboy hat, paused to honor Black country trailblazers like Linda Martell.

“I want to thank all of those who came before me,” Beyoncé said, as images of country music pioneers flashed onscreen. “Thank you for giving me the creative liberty to challenge myself.”

Patriotic visuals, Wild West motifs, and a stylized gun duel with an older white cowboy highlighted the show’s theme of reclaiming space.

She closed the night in a jaw-dropping American flag gown, singing “Amen” alongside a towering, masked Statue of Liberty head — a finale as bold and unforgettable as the show itself.

Cowboy Carter Already a Record-Breaker

Fresh off her history-making Renaissance run, Beyoncé has done it again.
At the 2025 Grammy Awards, Cowboy Carter took home three trophies:

  • Album of the Year
  • Best Country Album
  • Best Country Duo/Group Performance for “II Most Wanted” (her collaboration with Miley Cyrus)

Where She’s Headed Next

Queen Bey isn’t done with Los Angeles just yet. She’ll return to SoFi Stadium for three more shows before taking her new era on an international journey.

Next stops include:

  • Chicago
  • East Rutherford, New Jersey
  • London
  • Paris
  • Houston (homecoming alert!)
  • Washington, D.C.
  • Atlanta
  • Las Vegas

Final Tip: Saddle Up, Beyhive

Come ready for a three-hour ride packed with soaring vocals, heart-stopping visuals, and the kind of country-pop-renaissance fusion only Beyoncé can deliver.

Bring your cowboy hat, your best boots, and your loudest singing voice — this isn’t just a concert, it’s history in the making.

Zane Phillips Was Starstruck at First by Nathan Lane While Shooting ‘Mid-Century Modern’ (Exclusive)

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Actor Zane Phillips reflected on his time as Mason in Hulu’s new sitcom Mid-Century Modern  and even went on to say how he was at first starstruck by his fellow cast mates.

The series, created by Max Mutchnick and David Kohan—the duo behind Will & Grace—draws inspiration from The Golden Girls, offering a fresh perspective on aging and friendship within the LGBTQ+ community.

A Star-Studded Ensemble

Set in Palm Springs, Mid-Century Modern follows three gay men—Bunny (Nathan Lane), Jerry (Matt Bomer), and Arthur (Nathan Lee Graham)—who, after an unexpected death, decide to spend their golden years living together. They share a home with Bunny’s mother, Sybil (Linda Lavin), forming a chosen family that navigates the ups and downs of life, love, and friendship.

Sybil helps Arthur get a job as a personal shopper, but his condescending boss reminds Arthur he’s no longer in fashion, he’s in sales. At a casino, Jerry tries to get tickets to a Donny Osmond concert, while Bunny negotiates with a pit boss when he feels he lost money unfairly. (Disney/Chris Haston)

Phillips’ character, Mason, appears in the fifth episode, “Fire Island,” where he meets Jerry during a trip to Fire Island. Their interaction sparks a connection that leads to a deeper exploration of Jerry’s past and present relationships. The episode delves into themes of identity, love, and the complexities of personal history.

 

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A Memorable First Day on Set

Speaking to Gayety at the launch of the Tryst Hotel in Puerto Vallarta, Phillips recalls his first day on set, which coincided with election day. He was particularly moved by Linda Lavin’s impromptu piano performance of a song she would later sing in the series. “It was probably the most beautiful thing I’ve ever seen in my life,” Phillips shared. The cast and crew were deeply touched by her performance, which added a poignant moment to the filming day.

Bunny asks Jerry and Arthur to let Mindy join their pickleball team. Meanwhile, Sybil reconnects with an old friend.
Bunny asks Jerry and Arthur to let Mindy join their pickleball team. Meanwhile, Sybil reconnects with an old friend. (Disney/Chris Haston)

Learning from Legends

Working alongside seasoned actors like Nathan Lane and Linda Lavin was both inspiring and humbling for Phillips and one where he was a bit start struck.

“It’s really wacky,” the star went to say. “I was on set and I was looking at Nathan Lane and I was like, “You’re Timon.” It’s probably the first movie I’ve ever seen. And so just being in a room with these legends and they were all so kind and so funny.”

He described the experience as a “master class,” emphasizing the opportunity to learn from their expertise and generosity. “I always want to be surrounded by people who I can learn from and who are kind enough to impart their knowledge and their skills with me,” he said.

Sybil helps Arthur get a job as a personal shopper, but his condescending boss reminds Arthur he’s no longer in fashion, he’s in sales. At a casino, Jerry tries to get tickets to a Donny Osmond concert, while Bunny negotiates with a pit boss when he feels he lost money unfairly.
Sybil helps Arthur get a job as a personal shopper, but his condescending boss reminds Arthur he’s no longer in fashion, he’s in sales. At a casino, Jerry tries to get tickets to a Donny Osmond concert, while Bunny negotiates with a pit boss when he feels he lost money unfairly. (Disney/Chris Haston)

Balancing Gratitude and Professionalism

Despite the star-studded cast, Phillips maintains a grounded perspective on his role. He acknowledges the importance of both luck and hard work in achieving success. “You have to start telling yourself it wasn’t just luck that I’m in this room,” he explained. By focusing on gratitude and professionalism, Phillips ensures that he remains focused on his craft and the opportunities before him.

Personal Reflections

Beyond his professional achievements, Phillips has been reflecting on the significance of family and personal connections. He expressed deep appreciation for his mother and husband, especially during challenging times. “That’s what I do it for, ultimately. It’s my family,” he said, highlighting the importance of support systems in both personal and professional life.​​

Full Trailer Drops for Benito Skinner’s New College Comedy ‘Overcompensating’ on Prime Video

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Get ready to relive the awkward, vodka-soaked chaos of college life—because Benito Skinner, best known online as Benny Drama, is suiting up for a hilarious return to campus in his new comedy series Overcompensating.

The upcoming series, produced by A24, Strong Baby, and Amazon MGM Studios, premieres May 15 on Prime Video and promises a nostalgic, cringe-filled trip through the highs and lows of freshman year. Skinner stars as Benny, a closeted former high school football star and homecoming king, who’s just trying to figure out who he is—while surviving the social jungle that is college.

According to a release from Amazon, Overcompensating is “a college-set ensemble comedy about the wild, chaotic journey of Benny… as he becomes fast friends with Carmen (Wally Baram), a high school outsider on a mission to fit in at all costs.” Helping (or maybe hindering) their journey are Benny’s no-nonsense older sister, played by Mary Beth Barone, and her effortlessly cool, campus-legend boyfriend (Adam DiMarco).

Expect flavored vodka, fake IDs, regrettable hookups, and a cappella groups that no one asked for—all part of what makes Overcompensating equal parts heartwarming and hilariously unhinged.

The show’s trailer teases a fast-paced, laugh-out-loud romp full of classic college tropes: think frat parties, secret societies, chaotic dorm life, and more than one identity crisis. Anyone who’s ever tried to reinvent themselves—or just survive freshman orientation—will find something to relate to.

And if the premise wasn’t enticing enough, the series is stacked with a star-studded roster of guest appearances. Comedy duo Bowen Yang and Matt Rogers (Las Culturistas) appear as an outrageously dramatic couple, Charli XCX plays herself (naturally), and Lukas Gage, James Van Der Beek, and even Megan Fox (well, a poster of her) make appearances.

For Skinner, who rose to fame creating viral characters online, Overcompensating marks a new chapter—one that brings his signature humor to a broader, binge-worthy platform. The series also digs into deeper themes of identity, friendship, and the many ways people try (and fail) to fit in.

Overcompensating premieres exclusively on Prime Video on May 15. Until then, check out the official trailer and brace yourself for some major secondhand embarrassment—in the best way possible.

All WorldPride Events Canceled at Kennedy Center Under Trump-Controlled Leadership

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WorldPride 2025, scheduled to take place in Washington, D.C., from May 17 to June 8, is encountering significant challenges due to recent leadership changes at the John F. Kennedy Center for the Performing Arts. Several LGBTQ+ events, including the Tapestry of Pride series, have been relocated following the center’s leadership overhaul orchestrated by former President Donald Trump.

Leadership Changes at the Kennedy Center

In February 2025, President Trump dismissed the Kennedy Center’s president and chairman, replacing them with political allies, including appointing himself as chairman and Richard Grenell as the interim executive director. This restructuring has led to the cancellation of over 20 LGBTQ+ events, including performances by the Gay Men’s Chorus of Washington, D.C., and the International Pride Orchestra. The Kennedy Center cited “financial and scheduling factors” for these cancellations, but many artists and organizers view the decisions as politically motivated.

Relocation of Events

In response to the cancellations, the Capital Pride Alliance announced that the Tapestry of Pride series, originally scheduled for June 5–8 at the Kennedy Center, would be relocated to the WorldPride Welcome Center in downtown D.C. This series included displays of the AIDS Memorial Quilt, drag story hours, and performances by the International Pride Orchestra. The relocation aims to ensure inclusivity and maintain the event’s integrity.

Impact on Sponsors and Artists

The Kennedy Center’s actions have led to a ripple effect across the arts community. Corporate sponsors, including Booz Allen Hamilton, have withdrawn their support for WorldPride 2025, citing concerns over the center’s new direction and the administration’s stance on diversity, equity, and inclusion initiatives . Artists such as Issa Rae and Low Cut Connie have canceled upcoming performances at the Kennedy Center, and several musicians with the National Symphony Orchestra have authorized a strike vote in protest.

Concerns for LGBTQ+ Travelers

The changes at the Kennedy Center coincide with broader concerns regarding the safety and rights of LGBTQ+ individuals, particularly transgender and nonbinary travelers. The Trump administration’s new immigration policies, which require visa applicants to declare their sex assigned at birth and ban X-gender marker passports, have raised alarms among international LGBTQ+ organizations. Countries such as Germany, Ireland, Finland, and the Netherlands have issued travel advisories warning transgender and nonbinary citizens about visiting the United States during WorldPride.​

WorldPride’s Resilience

Despite these challenges, WorldPride organizers remain committed to ensuring the event’s success. The Capital Pride Alliance emphasizes that Pride has always been a form of protest and that celebrating in the face of adversity is a powerful statement.

As WorldPride 2025 approaches, organizers and participants continue to navigate the evolving political landscape. The relocation of events from the Kennedy Center underscores the resilience of the LGBTQ+ community and its commitment to visibility, inclusivity, and celebration. While the challenges are significant, the spirit of Pride remains unyielding, and the community’s determination to celebrate and advocate for equality persists.

Paul Freeman’s ‘Backwoods’: An Evocative Tribute to Raw Masculinity

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There’s something about remote landscapes—the dense, untouched forests, rugged hillsides, and vast, open skies—that evokes a profound sense of freedom and self-reliance. In his captivating new book, Backwoods, acclaimed photographer Paul Freeman transports us to these evocative settings, capturing men in their most authentic and primal state.

Two Decades of Artistic Excellence

Celebrating 20 years since his debut in male photography, Freeman has consistently delivered groundbreaking work, documenting the male form with elegance, honesty, and raw intensity. With Backwoods, Freeman presents a collection that embodies the timeless allure of rugged masculinity set against breathtakingly raw landscapes across upstate New York, rural Australia, and isolated areas of the American West.

Paul Freeman

Over the past year, Freeman journeyed into new and familiar territories, blending striking new images with carefully selected archival shots. The resulting visual tapestry reveals a deep, unvarnished beauty that resonates on a primal level.

The Essence of the Backwoodsman

Backwoods encapsulates the essence of the self-reliant man—individuals shaped by their environment, accustomed to solitude, and comfortable in their rugged surroundings. Freeman’s portraits communicate this effortlessly; each subject exudes strength, resilience, and an innate connection to nature. His photography reveals not just muscularity, but vulnerability and humanity hidden beneath hardened exteriors.

Paul Freeman

Exploring New Terrain

One particularly exciting chapter in Backwoods was shot amid the lush, verdant hills of upstate New York, made possible through the generosity of a patron who opened their private estate to Freeman’s creative vision. These surroundings provided an extraordinary backdrop for capturing a unique blend of rustic charm and natural sensuality. Freeman’s photographs from this location exude a pastoral tranquility infused with raw masculine energy.

Paul Freeman

Tom’s Enduring Appeal

A captivating aspect of Backwoods is the inclusion of Tom, a fan favorite from Freeman’s 2009 collection, Outback Currawong Creek. Having returned specifically for Freeman’s 20th-anniversary projects, Tom embodies both the ruggedness and warmth of Freeman’s artistic vision. His presence in both Garage and Backwoods underscores the versatility and depth of Freeman’s photography.

Paul Freeman

Rich Visual Storytelling

Freeman masterfully incorporates previously unpublished images from his archives, seamlessly integrating them with recent shoots. The narrative crafted by these photographs evokes feelings of solitude, reflection, and quiet strength. Every picture tells a deeper story, inviting viewers to imagine the lives and inner thoughts of these rugged individuals.

Paul Freeman

Premium Quality Craftsmanship

In collaboration with Italy’s esteemed Longo Media, Backwoods is produced to the highest standards of quality and craftsmanship. Each 160-page hardcover book features rich, matte-coated art stock, creating an enduring collector’s item that beautifully captures Freeman’s artistic vision.

Paul Freeman

Support Paul Freeman’s Kickstarter Campaign

To celebrate this significant anniversary, Freeman is launching a special Kickstarter campaign offering exclusive access to discounted, personalized advance copies of Backwoods. Backers have a unique opportunity to support Freeman’s commitment to male nude photography, ensuring its place as a recognized and respected art form.

Paul Freeman

Be Part of the Legacy

Freeman’s Backwoods represents more than photography; it is a testament to the timelessness of masculinity and the inherent beauty found in authenticity. By supporting his Kickstarter campaign, collectors play a direct role in preserving this artistic tradition, guaranteeing that future generations can continue to appreciate the unfiltered portrayal of male beauty.

Paul Freeman

Celebrate Paul Freeman’s 20-year milestone by securing your exclusive copy of Backwoods through the Kickstarter campaign today. For more information and Freeman’s complete collection, visit his website.

Paul Freeman

Paul Freeman’s ‘Garage: A Provocative Exploration of Masculinity and Machinery

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There’s something irresistibly evocative about a garage. The scent of motor oil and gasoline, the rugged tools strewn across workbenches, the quiet intensity of mechanics absorbed in their craft—all of these elements combine to create a uniquely masculine atmosphere. Photographer Paul Freeman masterfully captures this spirit in his latest book, Garage, a stunning tribute to masculinity, machinery, and the beauty of the male form.

Celebrating 20 Years of Photography

Marking two decades since his first self-published book, Freeman has built an international reputation for his portrayal of rugged, natural masculinity. His extensive career has encompassed numerous iconic photography books, including classics like Bondi Classic, Outback, and Larrikin. Now, he returns with Garage, a carefully curated collection that takes readers on a sensory journey through grease-stained workshops, classic car garages, and quiet spaces filled with the hum of machinery.

Paul Freeman

Freeman’s journey has been rich with artistic exploration and human connection. Over the past 18 months alone, he has revisited beloved locations and discovered exciting new spaces across Los Angeles, Las Vegas, London, Miami, and rural Australia. Each garage he captures is distinct, yet all share an unmistakably gritty charm.

Paul Freeman

The Sensuality of Craftsmanship

In Garage, Freeman uses his camera to transform everyday scenes into moments of breathtaking sensuality. The mechanics featured in his work are both tough and tender—men completely at ease amid the tools and machines that surround them. Freeman’s skill lies in his ability to capture authentic vulnerability and strength, allowing the viewer to appreciate every muscle, tattoo, and subtle expression of the men who embody the spirit of their environments.

Paul Freeman

His approach to photography celebrates the unassuming sensuality hidden within practical, work-driven spaces. He masterfully portrays mechanics not just as craftsmen, but as artists—men whose hands tell stories, whose bodies speak of labor and resilience, whose eyes hint at deeper narratives beneath their rugged exteriors.

Paul Freeman

Spotlight on Tom: A Return to the Lens

An especially poignant highlight of Garage is the return of Tom, who was last featured in Freeman’s 2009 book, Outback Currawong Creek. Tom isn’t your typical professional model; he’s an authentic representation of working-class masculinity, possessing real-world experience in trades and outdoor pursuits.

Paul Freeman

For Freeman’s 20th anniversary, Tom returned to the camera with renewed physicality and a rugged charisma honed by genuine experience. His presence lends a unique depth to the collection, seamlessly portraying the rugged country mechanic—complete with oil-stained hands and a confident gaze. Tom’s return symbolizes both continuity and evolution in Freeman’s body of work.

Paul Freeman

A Blend of Fresh and Archival Imagery

Freeman didn’t just rely on new shoots; he enriched Garage by revisiting his vast archive. He masterfully interweaves previously unpublished photographs into the narrative, giving the book a sense of timelessness. Each page reveals images both fresh and familiar, creating a layered experience for longtime fans and newcomers alike.

Paul Freeman

Exquisite Production Quality

As always, Freeman’s attention to production quality is impeccable. Produced by the acclaimed Italian company Longo Media, Garage boasts luxurious large-format pages, durable hardcover binding, and flawless printing. Each book measures 13×10 inches and is wrapped in a premium coated and laminated dust jacket, protecting this artistic keepsake for years to come.

Paul Freeman

Exclusive Kickstarter Campaign

In celebration of his 20-year milestone, Freeman launched a Kickstarter campaign to offer exclusive access to limited-edition, personalized, advance copies of Garage. Supporters who join the campaign will secure their copies at special discounted rates, making this a unique opportunity to own a piece of contemporary erotic art history.

Paul Freeman

Supporting the Artistry of the Male Form

Freeman’s Kickstarter is more than just a campaign—it’s an opportunity to participate in the ongoing celebration and preservation of male nude photography as a respected art form. By supporting this campaign, collectors help ensure the continued production of beautiful, boundary-pushing photography books.

Paul Freeman

Be part of Paul Freeman’s artistic journey. Visit his Kickstarter page to secure your exclusive copy of Garage. For additional information and to explore Freeman’s extensive collection, visit his website.

Jennifer Coolidge Almost ‘Got Lucky’ Hanging Out with the Gays at The Tryst Puerto Vallarta

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Jennifer Coolidge nearly had a memorable night at the grand opening of The Tryst, Puerto Vallarta’s new luxury boutique hotel catering to LGBTQ+ travelers. The event, held on Friday, April 25, 2025, was a star-studded affair that attracted numerous celebrities, including Coolidge, who shared her experiences and sentiments about the LGBTQ+ community during the festivities.

A Night of Glamour and Celebration

The opening night kicked off with a red carpet event hosted by Matt Rogers, setting the tone for an evening of elegance and excitement. Demi Lovato made a surprise appearance, performing her hit song “Cool for the Summer” on the hotel’s rooftop, energizing the crowd as DJ Leland spun tracks into the night. Other notable attendees included Erika Jayne, Cynthia Bailey, Sonja Morgan, Antoni Porowski, Julia Fox, Laverne Cox, Chrishell Stause, Sam Asghari, TS Madison, and Kate del Castillo, among others.

The Tryst, founded by entrepreneur Tristan Schukraft, aims to provide a space where LGBTQ+ individuals can feel celebrated and accepted. Schukraft emphasized the importance of such inclusive environments, stating that they allow people to be themselves without judgment and to connect with like-minded individuals.

 

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Jennifer Coolidge’s Reflections on LGBTQ+ Community

During the event, Jennifer Coolidge took a moment to reflect on her longstanding connection with the LGBTQ+ community. She expressed that her affinity for gay men and women began at a young age, noting that she was naturally drawn to them without being consciously aware of their sexual orientations. Coolidge described these early friendships as a mutual attraction, where she and her LGBTQ+ friends simply enjoyed each other’s company without labels or judgments.

Coolidge also shared her thoughts on being an ally to the LGBTQ+ community. She emphasized the importance of spending time with LGBTQ+ individuals, enjoying their company, and participating in events that celebrate their identities. Her presence at The Tryst’s opening was a testament to her commitment to supporting and uplifting the community.

 

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A Lighthearted Moment: “Almost Got Lucky”

In a playful exchange during the event, Coolidge joked about “almost getting lucky,” sparking laughter among those around her. While she kept the details lighthearted and vague, her comment added a touch of humor to the evening’s festivities. This moment highlighted Coolidge’s ability to connect with others through humor and her genuine enjoyment of the celebration.

 

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The Tryst: A New Haven for LGBTQ+ Travelers

The Tryst is more than just a hotel; it’s a sanctuary designed with the LGBTQ+ community in mind. Located in Puerto Vallarta’s Zona Romántica, the hotel offers 55 elegantly designed rooms that blend minimalist elegance with Mexican flair. Each room features private balconies, ultra-soft bedding, intimate mood lighting, Egyptian cotton towels, Grown Alchemist toiletries, and a mini bar stocked with favorites. The hotel also boasts a rooftop pool and bar, providing panoramic views of the city and the Pacific Ocean.

Beyond its luxurious accommodations, The Tryst fosters a vibrant social scene. Weekly events include the “wettest drag brunch in the world,” hosted by Pelayo in the hotel’s Courtyard, featuring a rotating lineup of drag queens, bottomless mimosas, and an international brunch menu. The rooftop pool and 8th-floor cocktail lounge, Ocho, transform into the ultimate party destination, featuring world-famous DJs, signature cocktails, and iconic Tryst gogo dancers.

The success of The Tryst’s grand opening marks the beginning of a new chapter in LGBTQ+ luxury travel. Following the Puerto Vallarta location, Schukraft plans to expand The Tryst brand with new properties in San Juan, Puerto Rico, and Fire Island, New York, in 2025. These upcoming hotels aim to offer upscale, inclusive experiences for guests seeking high-end accommodations with a vibrant, social atmosphere.

For Jennifer Coolidge, her appearance at The Tryst’s opening was more than just a red carpet moment; it was a reflection of her enduring support for the LGBTQ+ community and her appreciation for the joy and authenticity it brings. Her presence and words resonated with many, reinforcing the importance of spaces where individuals can be their true selves without fear of judgment.

As The Tryst continues to welcome guests and host events that celebrate LGBTQ+ culture, it stands as a testament to the power of inclusivity, community, and the shared human experience.

Bowen Yang Calls VP JD Vance a ‘Pope Killer’ During Hilarious ‘View’ Appearance

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Saturday Night Live star Bowen Yang turned daytime television into a laugh-fest on Thursday with an eyebrow-raising — and entirely comedic — new nickname for Vice President JD Vance: “the pope killer.”

Yang appeared on The View to promote his new romantic comedy The Wedding Banquet, but it was his commentary on politics and SNL impressions that sent the hosts into hysterics.

While chatting about his role on the NBC sketch series — where he famously plays characters like the Titanic’s Iceberg and Vice President Vance — Yang dropped the remark that had the studio in stitches. Referencing Vance’s highly publicized last-minute meeting with Pope Francis just hours before the pontiff’s death on Easter Monday, Yang quipped, “The guy’s a pope killer, okay?”

The comment instantly broke the panel. Whoopi Goldberg turned away from the camera in laughter, declaring, “Someone had to say it!” Co-host Sara Haines jumped in with, “There’s our new headline!” Meanwhile, Joy Behar, ever the voice of comic reason, quickly clarified, “He doesn’t mean it literally — he’s talking spiritually.”

Pope Francis died on Easter Monday at age 88, just one day after briefly meeting with Vance in Vatican City. Vance later told The Hill, “Obviously, when I saw him, I didn’t know that he had less than 24 hours still on this Earth… I think it was a great blessing.”

Yang’s zinger may have been exaggerated satire, but it certainly landed with the audience — and the hosts.

Earlier in the segment, Yang spoke about preparing to play Vance on SNL, confessing, “I thought there would be better people to embody him.” To get it right, Yang said he worked with an accent coach to find a blend “between Ohio and Appalachia.” One host responded, “You nailed it,” to which Yang grinned and responded with the now-viral “pope killer” line.

Of course, Yang was primarily on The View to talk about his latest film The Wedding Banquet, a queer romantic comedy directed by Andrew Ahn. Yang stars as a commitment-phobic man caught in a tangled web of love and immigration schemes, opposite Han Gi-chan, Kelly Marie Tran, and Lily Gladstone. The film premiered at the 2025 Sundance Film Festival, earning rave reviews. Out Magazine praised it as director Ahn’s “career peak” and said, “No other movie moved me or made me laugh more.”

JoJo Siwa and Chris Hughes Address CBB Controversy, Breakup, and ‘Soulmate’ Bond in First Post-Show Interview

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JoJo Siwa and Chris Hughes made their first joint appearance following their stint on Celebrity Big Brother, sitting down for a candid interview on ITV’s This Morning to discuss their connection in the house — and the breakup that followed.

The pop star and former Love Island contestant became a headline-making duo during the latest season of Celebrity Big Brother, with fans — and critics — closely following their interactions. The pair were often seen hugging, cuddling, and sharing kisses throughout the show, sparking speculation about the nature of their relationship.

But controversy soon followed due to the pair’s 11-year age gap — Hughes is 32, Siwa is 21 — and the fact that Siwa was still in a relationship with Australian influencer Kath Ebbs at the time.

During the interview with hosts Cat Deeley and Ben Shephard on Monday, Siwa confirmed that she ended her relationship with Ebbs at the show’s wrap party on Friday, April 25 — a revelation that Ebbs had previously shared via social media.

“It wasn’t my plan,” Siwa said when asked about the highly public breakup. “I was told they weren’t going to attend the wrap party, and then they arrived about an hour in. They straight up asked me if I was happy, and I said no. One thing led to another, and that conversation happened there.”

Ebbs had earlier expressed on Instagram that they were left “shocked” and “numb,” accusing Siwa of expressing love privately while showing conflicting behavior on-screen. Despite feeling “humiliated” by the timing of the breakup, Ebbs said they had initially hoped to work through the issues.

Reflecting on her time in the house, Siwa shared that the experience forced her to confront personal truths. “Day one, fun. Day two, fun. But by day three, I was sitting with myself and realized I had been OK with things I shouldn’t have been,” she said. “When I got out, I knew I had to make changes in my life.”

Though their chemistry on the show raised questions, both Siwa and Hughes emphasized that their bond remains platonic — but deeply meaningful.

Jojo Siwa and Chris Hughes on 'Celebrity Big Brother UK.' Photo: ITV
JoJo Siwa and Chris Hughes on ‘Celebrity Big Brother UK.’ Photo: ITV

“It’s just a really strong friendship,” Hughes told the hosts. “You can have a soulmate friendship. It’s not romantic, but it’s special. Going through an experience like that with someone… was beautiful.”

When asked if their relationship could ever turn romantic, Siwa responded with a smile: “Whatever life does, life will do.”

As of now, both stars say they are focused on personal growth and grateful for the bond they formed in the house — regardless of public speculation.

Jacob Elordi Turns Heads in New Behind-the-Scenes Photos from ‘On Swift Horses’

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New behind-the-scenes images of Jacob Elordi on the set of On Swift Horses have been released — and yes, fans, they’re just as dreamy as you’d hope.

Following months of buzz and building anticipation, the Daniel Minahan-directed film officially galloped into U.S. theaters on Friday, April 25. The movie is based on Shannon Pufahl’s acclaimed novel of the same name and weaves a tale of longing, love, and life on the emotional edge.

Set in the 1950s, the film stars Daisy Edgar-Jones and Will Poulter as newlyweds Muriel and Lee, who leave behind Kansas City to start anew in sunny San Diego. But things take a turn when Lee’s enigmatic brother Julius, played by Elordi, shows up with charm, secrets, and a dangerous past that throws everything off course.

According to the official synopsis, a “dangerous love triangle quickly forms.” When Julius takes off in search of a young card cheat he’s fallen for, Muriel begins a secret double life — gambling on racehorses and discovering a kind of love she never knew she craved.

In celebration of the film’s U.S. release, Entertainment Weekly shared a stunning collection of behind-the-scenes photographs taken by artist Jack Pierson. The images showcase the film’s vintage aesthetic, complete with period-perfect costumes, dramatic lighting, and, of course, Elordi’s effortlessly cool screen presence.

One standout image shows Elordi mid-scene in a moody casino setting. Another captures Edgar-Jones in full 1950s glam. And yes, two of the images show Elordi shirtless — a cinematic tradition, at this point.

“The first scene I came in on wound up being the first scene in the movie, although they’d been shooting for a week,” Elordi told EW. “This is where Daisy’s character first encounters Jacob’s. I hope it makes you think of Edward Hopper.”

The photo set also includes solo portraits of the main cast, including Diego Calva, who plays Elordi’s on-screen love interest. “Diego’s hair was perfection,” Pierson recalled, “but when it came time to shoot, the wind really came up and wouldn’t stop! It doesn’t matter, though, because those eyes triumphed.”

Elordi recently described the project to Vanity Fair as “a sprawling, epic, non-generic love story” and emphasized its universal themes. He also opened up about building chemistry with Calva, revealing they spent a week rehearsing intensively in a motel room. “Dan gave us a lot of freedom to play and to find that love within those four walls,” he said.

Calva, for his part, praised Elordi as a “methodic actor” and added that their personalities complemented each other. “We rehearsed together. I felt safe all the time,” Calva shared with Film Updates. He even mentioned they bonded over a shared love of Pokémon on Nintendo Switch.

While the film is now showing in U.S. cinemas, international fans will need a bit more patience. On Swift Horses is set to debut in France on April 30 under the title Les Indomptés, and in Spain on July 25. A UK release date has not yet been announced.