Margaret Cho is paying homage to one of pop culture’s most recognizable images, stepping into Madonna’s 1985 “Healthy” era for a new recreation that blends nostalgia with modern edge.

The comedian and actor reimagined Madonna’s early People magazine cover shoot, originally photographed by Ken Regan at the Le Mondrian Hotel in West Hollywood. The session captured Madonna at a pivotal moment in her rise, and Cho says the imagery still carries the same energy decades later.

“I love Madonna! I am an OG first generation Madonna Wannabe! This shoot was just a dream to recreate and I think we got pretty close!! I think this look is timeless. It works just as well now as it did back then. A true classic,” Cho said.

The new shoot leans into that same minimal, sunlit aesthetic, echoing the confidence and simplicity that defined Madonna’s early career era while adding Cho’s signature comedic self-awareness.

Margaret Cho recreates Madonna’s iconic 1985 People cover shoot, discusses her inspiration, and teases new tour and film projects with Olivia Wilde and Charli XCX.
Photo: People Magazine
Margaret Cho recreates Madonna’s iconic 1985 People cover shoot, discusses her inspiration, and teases new tour and film projects with Olivia Wilde and Charli XCX.
Photo: Nick Spanos

A Pop Culture Tribute With Personal Roots

Cho has long spoken about Madonna as a formative cultural force, and the recreation nods to that influence without turning it into parody. Instead, it plays as a straight-faced homage from one boundary-pushing performer to another.

The original 1985 images helped cement Madonna’s early public identity at a time when she was rapidly transitioning from club artist to global pop figure. Cho’s reinterpretation highlights how that visual language still resonates in today’s entertainment landscape.

Touring ‘Choligarchy’ And Staying On The Road

Beyond the photo tribute, Cho continues to tour with her latest stand-up show, “Choligarchy,” bringing her observational comedy to audiences across the country. The set builds on her long-running approach of mixing personal storytelling with cultural commentary, often skewering fame, identity, and politics in the process.

Margaret Cho recreates Madonna’s iconic 1985 People cover shoot, discusses her inspiration, and teases new tour and film projects with Olivia Wilde and Charli XCX.
Photo: Nick Spanos

New Film Role With Gregg Araki

Cho is also expanding her film slate with a role in director Gregg Araki’s upcoming thriller I Want Your Sex, where she appears alongside Olivia Wilde and Charli XCX. The project marks another genre shift for Cho, who has moved fluidly between comedy, television, and independent film throughout her career.

A Career Defined By Range

From her breakout years on stage to her groundbreaking ABC sitcom All-American Girl, Cho has spent decades reshaping what mainstream comedy can look like. Her one-woman shows, including I’m The One That I Want and Notorious C.H.O., helped redefine autobiographical stand-up in the late 1990s and early 2000s.

She later earned Grammy nominations for her comedy albums and expanded into television and film with roles in Drop Dead Diva, Fire Island, The Flight Attendant, and more recently, Percy Jackson and the Olympians. Across each era, she has maintained a focus on self-authorship and creative control.

More Projects On The Horizon

Cho’s recent work continues that momentum, with additional appearances across television and streaming projects, as well as ongoing live performances. She has also developed new stage material that pushes further into fictional storytelling, expanding beyond traditional stand-up formats.

Between touring, filming, and now revisiting iconic pop imagery, Cho remains active across multiple creative lanes at once.

A Tribute That Feels Current

The Madonna recreation ultimately lands as more than a nostalgia piece. It underscores how visual culture from the 1980s continues to shape modern celebrity storytelling, and how artists like Cho are still finding new ways to reinterpret it.

As Cho put it, the look isn’t just a reference point. It’s enduring.

And in her hands, it becomes something newly reimagined for a different era.