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Sappho: The Poet of Lesbos and Where ‘Lesbian’ Comes From

Sappho’s fragments describe desire between women. Here’s what survives, which legends came later and how her island gave us the word lesbian.

Sappho was a lyric poet of ancient Greece from the island of Lesbos, active around 610 to 570 BCE. Her surviving poems speak openly of desire for women, and the University of Missouri Libraries calls her “famous for her thematization of female homosexual love.” That’s why “lesbian” comes from her island and “sapphic” from her name.

Most of what she wrote is gone. Of an estimated 10,000 lines, about 650 survive. And much of the Sappho people think they know (the schoolmistress, the doomed leap for a ferryman, the tidy biography) comes from writers who lived centuries after her. Here’s what the fragments actually say, and what was added later.

When Sappho Lived and What Ancient Sources Say

No surviving evidence fixes her exact birth or death. Modern sources give approximate ranges:

Kline summarizes the family details that ancient sources pass down. Her father is most often recorded as Scamandronymus. She had three brothers (Charaxos, Larichos and Eurygios) and apparently a daughter, Cleïs. She came from a wealthy family and was probably sent into exile in Sicily around 600 BCE, “possibly due to political conflicts in Lesbos.” Treat these as ancient testimony, not documents. Almost none of it can be checked against records from her lifetime.

What Survives of Sappho’s Poems: 650 Lines From 10,000

Sappho wrote lyric poetry, composed for musical accompaniment, Kline notes. Missouri calls her “the earliest Greek woman of whom a substantial amount of poetry has survived.” Her work included cultic hymns, wedding songs, satirical songs, epigrams, elegiacs and iambics. Scholars in Hellenistic Alexandria counted her among the Nine Lyric Poets, and ancient admirers called her the “Tenth Muse.”

What survivesApproximate count
Lines Sappho is thought to have written10,000
Lines that survive today650
Complete poems1 (the Ode to Aphrodite, 28 lines)
Substantial fragments10
Scraps of papyrus50
Short quotations in ancient authors100

Figures from the University of Missouri Libraries’ 2021 exhibit, curated by Courtney Gillie and John Henry Adams. Britannica gives the Ode to Aphrodite’s length.

Sappho’s Love Poems to Women and the Debate Over Labels

Start with the text, not the reputation. In the Ode to Aphrodite, the speaker begs the goddess for help with a woman who doesn’t return her love. In Gregory Nagy’s translation for Harvard’s Center for Hellenic Studies, Aphrodite answers: “For if she is fleeing now, soon she will give chase.” The pronouns for the beloved are feminine.

The same collection includes Fragment 31, where the speaker watches a man sit across from a woman and hear her sweet voice and laughter. The speaker’s body falls apart: a racing heart, lost speech, fire under the skin, paler than grass. The Greek uses feminine forms for the woman being watched. Fragment 16 argues that the most beautiful thing on earth is “what one loves” (Julia Dubnoff’s translation on the same page), then turns to Anactoria, a woman who is absent.

Painted ancient Greek oil flasks and jugs with red and black figures stand on clear stands in a lit museum display case.
Ancient Greek pottery on display in a museum. Photo: Rainer Eck/Pexels.

Not every poem is about desire. The so-called Tithonos poem on the same page is about aging skin and lost youth, and Missouri’s curators describe her subjects as ranging “from erotic desire to old age.” Sappho’s verse still became a lasting reference point in queer history.

So was she a lesbian? The fragments describe women desiring women. They don’t use our identity words, and scholars still debate how far modern labels fit someone from around 600 BCE. Both things can be true. Today Merriam-Webster lists “sapphic” as a synonym for lesbian, and many people use it as a broader umbrella term for women who love women.

Sappho Legends the Fragments Don’t Support

The most famous Sappho story is the one with the least support. In it, she falls for a ferryman named Phaon and leaps to her death from the White Rock of Leucas. “Modern scholarship considers the legendary account of her suicide, by leaping from the Leucadian cliffs, to be apocryphal,” Kline writes.

The trail is visible in the ancient sources collected by the Center for Hellenic Studies. The comic playwright Menander, writing in the late fourth century BCE (roughly three centuries after Sappho), has her as “the first” to leap from the rock while “hunting down the proud Phaon.” The geographer Strabo rejected that version and credited the first leap to the mythical Kephalos instead. None of Sappho’s own surviving lines tells the story.

The picture of Sappho as a teacher is another interpretation layered on top of the poems. Britannica describes her as leader of a thiasos, “an informal female community, whose purpose was the education of young women, especially for marriage.” That reading draws on her wedding songs and poems addressed to young women. It’s an inference, not a job title she gave herself. Britannica itself notes, “Although legends about her abound, little is known of her life.”

The 2014 Brothers Poem and the Papyrus Provenance Scandal

In January 2014, news broke that Oxford papyrologist Dirk Obbink had identified parts of two previously unknown Sappho poems on a papyrus from the third century A.D., the Poetry Foundation reported, citing The Daily Beast. The better-preserved “Brothers Poem” names Charaxos and Larichos, whom ancient sources called Sappho’s brothers but who had never appeared in her surviving verse. It casts Charaxos as a seagoing trader, advises a prayer to Hera for his voyage and ends with hopes that Larichos will grow into a man.

Then came questions about where the papyri came from. In 2021, the academic publisher Brill retracted Obbink’s chapter on their ownership history. The volume’s editors cited research by Michael Sampson questioning that account and said they had “not received a substantive response” from Obbink, who denied the charges, according to papyrologist Brent Nongbri’s account of the retraction.

Provenance and authenticity are related questions, but they aren’t the same one. Nongbri wrote in March 2021 that his “impression” was that most Sappho specialists “regard the poetry as authentically ancient.” He also questioned how closely the physical papyri had been examined by anyone besides Obbink. The retraction did not establish that the poems were modern forgeries.

How ‘Lesbian’ and ‘Sapphic’ Came From Sappho and Lesbos

English picked up both words over several centuries. The Online Etymology Dictionary’s entry for lesbian dates the word to the 1590s, when it simply meant “pertaining to the island of Lesbos.” By 1732, William King’s “The Toast” was already linking “Sappho’s Manner and the Lesbian Gambols.” The sense of desire between women has been in continuous use since 1890.

“Sapphic” started with poetry. Merriam-Webster dates its first known English use to 1501, meaning “of or relating to the Greek lyric poet Sappho.” It also names a four-line verse form, the sapphic stanza, and serves as a synonym for lesbian.

DateWord or useSource
1501“Sapphic” for things relating to SapphoMerriam-Webster
1590s“Lesbian” for things from the island of LesbosOnline Etymology Dictionary
1732William King’s “The Toast” ties Sappho to “Lesbian Gambols”Online Etymology Dictionary
1870“Lesbianism” appearsOnline Etymology Dictionary
1890“Lesbian” for desire between women enters continuous useOnline Etymology Dictionary
1925“Lesbian” as a nounOnline Etymology Dictionary

Lesbians now have their own flag, too, covered in Gayety’s guide to the lesbian flag. And the vocabulary didn’t stop with Greek. In 1982 Audre Lorde titled her “biomythography” Zami, which her publisher, Penguin Random House, describes as “a Carriacou name for women who work together as friends and lovers.”

Lesbos Islanders Sued Over the Word ‘Lesbian’ in 2008

Three residents of Lesbos went to court to stop gay women from calling themselves lesbians, arguing the word belonged to the islanders. An Athens court threw the case out in July 2008, Reuters reported in a story carried by ABC News. The court found the word does not define the islanders’ identity and ordered the plaintiffs to pay 230 euros in court costs. They could still appeal.

Vassilis Chirdaris, the lawyer for the Gay and Lesbian Union of Greece, said, “This is a good decision for lesbians everywhere,” Reuters reported. “A court in Athens could not stop people around the world from using it,” he added.

Sappho FAQ: Dates, Sexuality, Surviving Poems and Words

Was Sappho a Lesbian?

Her surviving poems express desire between women, and the University of Missouri calls her famous for it. Whether a modern identity label fits someone from around 600 BCE is still debated.

When Did Sappho Live?

Roughly 630 to 570 BCE, on Lesbos. Missouri and Britannica give about 610 to 570 BCE. Translator A.S. Kline puts her birth near 630.

Did Sappho Jump Off a Cliff for Phaon?

There’s no good evidence she did. The story shows up in later writers such as the comic playwright Menander, not in Sappho’s surviving poems, and scholars treat it as legend.

Why Are Lesbians Called Lesbians?

Because of Lesbos, Sappho’s island. In English, “lesbian” meant from Lesbos by the 1590s. The sense of desire between women has been in continuous use since 1890, per the Online Etymology Dictionary.

How Many of Sappho’s Poems Survive?

One complete poem, the Ode to Aphrodite. Missouri counts about 650 lines out of an estimated 10,000, including about 10 substantial fragments, 50 papyrus scraps and 100 quotations in other authors.

What Does Sapphic Mean?

Originally, relating to Sappho or her verse form, from 1501 in English. Merriam-Webster also lists it as a synonym for lesbian, and many people use it today as a broad label for women attracted to women.

Author

  • Levi Chambers

    Levi Chambers is the founder of Gayety and CEO of Rainbow Media Co., leading some of the largest LGBTQ+ brands online, including @LGBT, @LGBTQ, and @Pride. An OUT100 honoree and Webby and Telly Award winner, he writes about LGBTQ+ culture, entertainment, and representation with a focus on visibility, impact, and community.